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International Film Festival Rotterdam (IFFR)
2015
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2015
Event: International Film Festival Rotterdam (IFFR)Institution: International Film Festival RotterdamComment:
Mill Valley Film Festival, California
1994
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1994
Event: Mill Valley Film Festival, CaliforniaInstitution: California Film InstituteComment:
John Tonkin
John Tonkin is a Sydney based new media artist. After studying science and then playing with photography, experimental film and animation, he began making computer animation in 1985. Tonkin develops his own software in programming languages such as
Peter Weibel
Peter Weibel is an artist, theorist, musician, curator and educator. He is Director and CEO of the ZKM | Center for Art and Media Karlsruhe. Weibel developed an artistic practice on experimental literature and performance working in film, video,
Film en Kunst
1983
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1983
Event: Film en KunstInstitution: Centrum t´HoogtComment:
What We See & What We Know.Thinking About History While Walking, and Thus the Drawings Began to Move…
2009
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2009
The National Museum of Modern Art, Kyoto (MoMAK), is pleased to announce on the behalf of the National Museum of Modern Art, Tokyo (MOMAT) and the Hiroshima City Museum of Contemporary Art (Hiroshima MOCA) the upcoming exhibition, William
Stereoscope, Projects 68
1999
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1999
Featuring the premiere of William Kentridge's most recent film animation. (Source: MoMA N.Y.)
La Normandie et le Monde film festival at the Musée des impressionnismes, in Giverny, France
2011
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2011
David's 3D computer animation "Zikaron" was screened at "La Normandie et le Monde" film festival in the "Experimental" category at the Musée des impressionnismes, in Giverny, France, 2011
Grahame Weinbren
Grahame Weinbren is a pioneer of interactive cinema. His installations have been exhibited since 1985, including the Whitney Museum, ICA (London), the Guggenheim Museum, the Bonn Kunsthalle, and the Centre Georges Pompidou. Commissions include the
Crossing and Collapsing Time, Re-constructing (Her) Historical and Ideological Film Narratives on a Transformed Stage
2002
Scott, Jill. Crossing and Collapsing Time, Re-constructing (Her) Historical and Ideological Film Narratives on a Transformed Stage In New Screen Media. Cinema/Art/Narrative, edited by Martin Rieser and Andrea ZappKarlsruhe, London: BFI London and
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