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  • The Construction of Change
    Ascott, Roy. The Construction of Change Cambridge Opinion, Modern Art in Britain January (1964): 37 - 42.
  • Martin Rieser
    Martin Rieser, was visiting Professor Pervasive Media Studio Bristol and Professor of Digital Creativity, at the Institute of Creative Technologies, in De Montfort University, Leicester. In 1990 he began experimenting with permanent digital ceramic
  • Jennifer Willet
    Jennifer Willet is a biomedia artist and professor with a strong focus on laboratory aesthetics and participatory practices methodologies. Currently, she is Director of Incubator Lab at the University of Windsor in Canada. Her work resides at the
  • Richard Colson
    Richard Colson has taught digital media for many years in colleges and universities in the UK. He was Reader for Art and Digital Media Practice at Thames Valley University from 2008-2010 and Senior Lecturer at the same University responsible for the
  • Post-Apocalyptic Citizenship and Humanitarian Hardware
    Kera Denisa. Post-Apocalyptic Citizenship and Humanitarian Hardware In Nuclear Disaster at Fukushima Daiichi, edited by Richard HindmarshRoutledge Studies in Science, Technology and Society, , 222. London, Great Britain: Routledge, 2013.
  • Rewind: Artists’ Video in Britain 1970s and 1980s,
    Cubitt, Sean and Steven Partridge, ed. Rewind: Artists’ Video in Britain 1970s and 1980s,. New Bartnet: John Libbey, 2012.
  • Cadence -
    Animated film poem created with a constellation of common wayside flowers, gathered during walks on land reclaimed from the sea along the shore of the Laira estuary, on the coast of SW Britain, an endangered habitat now threatened by coastal erosion
  • Think about the people now - video
    A Commodore Amiga hyper-media computer programme, based on the theme of a media reported event from the 1990 Remembrance Ceremony in Whitehall, London. A young man ran out from the crowd and set fire to himself and shouted the words "think about the
  • Laura Dekker
    Laura Dekker’s research-based art practice considers the reciprocal roles of technologies in how we experience, make sense of, cope with, and construct ourselves and our world. She explores these ideas through interactive installations, combining
  • European Media Art Festival 1999: Media Minds -
    From 5th to 9th May 1999, the 12th European Media Art Festival presents the diversity of contemporary innovative and experimental media art. The programme includes the work of established artists as well as contributions from creative laboratories
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