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  • Spacescapes
    In 1989, Eduardo Kac transmitted from Chicago his artwork Spacescapes via slow-scan television simultaneously to Pittsburgh (to the DAX Group) and to Boston (to a group led by Dana Moser). The transmission took place in the context of the Three-City
  • We are Stardust -
    I received an invitation to work with the NASA Spitzer Space Center at CalTech in 2008 to realize an installation project for the exhibition OBSERVE held at the Art Center of College of Design in Pasadena. Following discussions and presentations by
  • The Satellite and the Work of Art in the Telecommunications Age
    Kac, Eduardo. The Satellite and the Work of Art in the Telecommunications Age Kac Studio (1986).
  • Dis-M-Body -
    Dis-M-Body is a multisensory, interactive installation exploring the disembodied nature of information and messages as they dislocate and fracture one's sense of self, while simultaneously expanding one's sense of connection. Our sense of
  • n o w h e r e - ein welt raum spiel -
    in cooperation with: Gerald Nestler (Research), Christof Cargnelli (Sound), Oliver Irschitz (Production) --- I treat Wittgenstein's propositions more like axioms. When I negate the axiom, 'We make ourselves a picture of the world'
  • A Planetary Order (Terrestrial Cloud Globe) -
    A Planetary Order is a terrestrial globe showing clouds from one single moment in time, thereby subtly highlighting the fragility and interdependence of the Earth’s environmental systems. Showing the earth’s cloud cover from one second in time,
  • O satélite e a obra de arte na era das telecomunicações
    Kac, Eduardo. O satélite e a obra de arte na era das telecomunicações Kac Studio (1986).
  • SATfest -
    Event: SATfestInstitution: SAT, MontréalComment:
  • SATfest, Society for Arts and Technology -
    Event: SATfest, Society for Arts and TechnologyInstitution: SAT, MontréalComment:
  • LAB 1: ART+COM - Virtual Reality and The Divine Spark -
    ART + COM - An Interdisciplinary Media Laboratory in West Berlin (1987 - 1993 - the time when the artists Fleischmann and Strauss were a part of it) How did it all start? In the mid-1980s, few people thought that everyone would have a computer in
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