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The Emergence of New Electronic Forms in Australian Art
1994
Seaman, Bill. The Emergence of New Electronic Forms in Australian Art Continuum "Electronic Arts in Australia" 8, no. 1 (1994): 352-363.
Peter d`Agostino
Peter d'Agostino is an artist who has been working in video and new media for three decades. His pioneering projects have been exhibited internationally in the form of installations, performances, telecommunications events, and broadcast
Robot: Mere Machine to Transcendent Mind
1998
Moravec, Hans. Robot: Mere Machine to Transcendent Mind. Melbourne Victoria, Australia: OUP Australia and New Zealand, 1998.
Electronic Arts Practice: Experiences in Australia and the USA
1994
Penny, Simon. Electronic Arts Practice: Experiences in Australia and the USA Continuum 8, no. 1 (1994).
In Repertoire: A Guide to Australian New Media Art
2003
Gallasch, Keith, ed. In Repertoire: A Guide to Australian New Media Art. Strawberry Hills, AUS: Australia Council of the Arts, 2003.
Mary Flanagan
Known for her theories on playculture, activist design, and critical play, Mary Flanagan has achieved international acclaim for her novel interdisciplinary work, her commitment to both theory and practice, and her ongoing pioneering contributions to
Snow Yunxue Fu
Snow Yunxue Fu is a US-based Chinese-born New Media Artist, Curator, and Assistant Arts Professor in the Department of Photography and Imaging at New York University Tisch School of the Arts. Using topographical computer-rendered images and
Jon McCormack
Jon McCormack is an Australian-based electronic media artist and researcher in Artificial Life and Evolutionary Music and Art. His research interests include generative evolutionary systems, computational creativity, machine learning, L-systems and
Graham Harwood
Harwood started out as an artist during the 1980s. He was involved with publishing initiatives such as the Working Press (books by and about working class culture); Underground newspaper (a London-based free newspaper aimed at promoting and
Fernando Orellana
Currently an Assistant Professor developing an electronic art program at Union College in Schenectady, NY, Fernando Orellana uses new and traditional media as a way of transmitting concepts that range from generative art to socialpolitical
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