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Corrida - Logique de la Perception
1982
video
The event took place in two adjacent rooms. In the first Shusaku gave a Buto performance on the edge of a raised circular steel construction within which the image of a black bull was painted on the white floor. A video camera pointed at this
Kwangju Biennale 2004
2004
-
2004
"The Gwangju Biennale 2004 i
s a
cultural forum that experiments with e
sta
blished cultural practices that are centered around the art specialist and cultural power, specifically, artist and curator. To subvert the existing hierarchy, we deploy new
Environmental Media: Accessing Virtual Representations of Real-Time Sensor Data and Site-specific Annotations Embedded in Physical Environments
2001
Fisher, Scott S.. Environmental Media: Accessing Virtual Representations of Real-Time Sensor Data and Site-specific Annotations Embedded in Physical Environments In Proc. of the Seventh International Conference on Virtual System
s a
nd Multimedia
Cabin fever
2004
-
2004
In Cabin Fever, Cardiff and Miller reference traditional museum displays by using the formal structure of the diorama to transport the viewer into a scene depicting a cabin set deep in the woods. The captivating soundtrack, draws the viewers into
Net.Art Browser
1999
video
The Net.Art Browser i
s a
means of conjoining information
spa
ce with the museum
spa
ce and hybridizing the interactivity of surfing the Internet with the museum tradition of wall mounted images. While painting, cinema and TV construe images inside a
Ca
sua
l Workers, Hallucination
s a
nd Approriate Ghosts
1994
-
1994
a video in
sta
llation, was commissioned for the lobby of a movie theater in Time Square by Creative Time, Inc. and the 42nd St. Development Corp. for The 42nd Street Art Project. The piece track
s a
metamorphosis from a choreography based on the
Beautiful New Worlds.Virtual Realities in Contemporary Art
2017
-
2018
The introduction of virtual reality has led to a pictorial revolution that is radically changing not only our perception of images, but also our relationship with reality. Accessible illusionary worlds conjured up in virtual spheres provide visitors
Exodus
1995
The Exodus Project wa
s a
"virtual tele-performance" during Ars Electronica 1995 and brainchild of Michael Bielicky, a Czech-German New Media artist determined to replicate the biblical trail of the prophet Moses. This site is the Net result of
Things Spoken
1999
-
1999
Most people collect objects during their lives. These can be gifts, souvenirs, momentos, personal artifacts, found things, etc. Their significance for their 'collector
s&a
pos; are u
sua
lly contextual and personal. This CD-ROM present
s a
The Parallel Dimension
1998
-
1998
In her VR piece, The Parallel Dimension, Teresa Wennberg based her work concept on a realistic form language combined with highly sophisticated texture maps. There i
s a
clear relation to her earlier works in 2- and 3-dimensional computer animation
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