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  • Curtis is a composer, improvisor and string-bass player who specializes in live electronic performance using gestural controllers. He received his Ph.D. in music composition from Princeton University where his primary teachers were Paul Lansky,
  • Cox has authored many papers and monologues on computer graphics, information design, education, and scientific visualization. She developed the concept of "Renaissance Teamsî in 1987 and has given over 100 invited presentations of her academic
  • Mgr.art. Lenka Klimešová, MA (1986) is a multimedia and multidisciplinary artist working with the issue of perceiving a body through gender as a playful tangible disguise based on space identities and role models deconstructed in the intercultural
  • Wilson, Stephen. Using Computers to Create Art. New Jersey: Prentice Hall, 1986.
  • Shaw, Jeffrey. The Narrative Landscape Museumsjournal 6 (1986): 64-65.
  • Weibel, Peter. Die elektronische Epoche Informatik Forum 2 (1986): 30-35.
  • Weibel, Peter and Valie Export. Die Zweiheit der Natur In Ars Electronica 1986, edited by Karl Gerbel and Peter Weibel, 46-48. Linz: 1986.
  • Ascott, Roy. Art, Technology and Computer Science In XLII Esposizione d´Arte: La Biennale di Venezia, edited by Maurizio Calvesi, 187-188. Venezia: Edizione La Biennale, 1986.
  • Weibel, Peter and Oswald Oberhuber. Vom Symbol zum Logo: Zeichen des Realen In Im Bauch des Biestes: Logokultur, Arbeiten des WS 1986/87 der Meisterklassen für Gestaltungslehre and der Hochschule für Angewandte Kunst Wien, edited by Wien Hochschule
  • Baudrillard, Jean. Jenseits von Wahr und Falsch, oder die Hinterlist des Bildes In Bildwelten, Denkbilder, edited by Florian Rötzer and Matthäus Bachmayer and Otto Van de LooVol.2. Reihe zur Kunst, Grafrath: Boer Verlag, 1986.