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  • Immersive film, specially designed for a fulldome environment. Multiple 3D landscapes modulated by female voices. The physical absence of the performers is materialized here by the pairing of the spatialization of their litanies to the movement of 3D...
  • Series of 3D prints in polymer additive plaster, highlighting the interrelation between real objects and their 3D virtual counterparts. The 3D print "Inevitable Beauty" is subjected to a temporal maelstrom in its fabrication, while "Compulsive...
  • “On the Road”, consists of twelve lenticular panels that explore the cinematic narrative potential of the photographic image in non-electronic form. The exhibition’s title “On The Road” makes reference to the defining work of the Beat Generation’s...
  • Mittelberger, Felix; Pelz, Sebastian; Rosen, Margit and Anselm Franke, ed. Maschinensehen – Feldforschung in den Räumen bildgebender Technologien. Leipzig: Spector Books, 2013.
  • Reinhuber, Elke. Everything Could Be So Much Better!. 1 th ed.Berlin: Elke Reinhuber, 2013.
  • Reinhuber, Elke. Everything Could Be So Much Better!. 1 th ed.Berlin: Elke Reinhuber, 2013.
  • Reinhuber, Elke. Everything Could Be So Much Better!. 1 th ed.Berlin: Elke Reinhuber, 2013.
  • Reinhuber, Elke. Everything Could Be So Much Better!. 1 th ed.Berlin: Elke Reinhuber, 2013.
  • Müller Arisona, Stefan. Interview: George Legrady, chair of the Media Arts and Technology program. https://mulpress.mcmaster.ca/jpc/article/view/157/108.
  • TRAMUS, MARIE-HELENE and Diana Domingues. Une coopération universitaire sur l?art numérique entre le Brésil et la France : NTAV et INREV In France-Brésil : des jalons pour l’avenir : Repères historiques et prospectifs pour des échanges intellectuels...