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  • COLAB Art and Architecture, Bangalore Two-person show with Christoph Schäfer, who lives and works in Hamburg, Germany. Not long ago, architectural modernism presented the glass facade as equivalent to participation and empathy with the
  • THE MEDUSA PROJECT (AUTOBIOGRAPHY) refers to the relationship between women and power as depicted in both ancient mythology, and in postmodern culture. It represents my attempt to directly merge personal history and influences into the production of
  • Gaude Mihi -
    Blending into society, robots are now becoming more and more life-like. They are claiming to be acting as moral agents and have now the ability and desire to experiment social activities and pleasures. Thus this rocking robot « Gaude Mihi » 2008
  • Vulnerability -
    CYFEST-15 in Yerevan is dedicated to (anti)fragility of human and non-human body, biological, social and cyberspaces, stories and scenarios of the future as well as confrontations and relationships with the world in a state of transition.
  • The Homeostasis Lab is a virtual platform dedicated to mapping, cataloguing, researching and exhibiting digital art on the internet. Since 2013, the lab has been run by a collaborative open-system network of artists, programmers, curators and
  • Pixelroller -
    PIXELROLLER VARIOUS PROTOTYPES 2005-2010 PixelRollers do exactly what their name suggests. They are performance tools for rapidly applying any pixel based graphics (user-generated content from the internet, your phone, a dedicated camera, etc)
  • On the Road is a unique, annual project initiated in 2014 by the Guan Shanyue Art Museum, Shenzhen, here seen in its 2018 version. The process involves 15 curators, art critics and scholars, from major institutions, art schools and museums
  • Borderroad -
    Print on aluminium composite panel Modern high-tech border walls demonstrate how political solutions are being replaced by technical interventions. A clear illustration is the buttressing of “Fortress Europe” around the Spanish exclaves Ceuta and
  • Dejan Atanacković has presented solo exhibitions, video and audio installations, interventions in public space, as well as curatorial projects, since 1994. His works were exhibited in personal and collective shows in Italy, Serbia, Canada, USA,
  • Born in Mascara, Algeria in March 1957, from a father killed before his birth in the Algerian independence war. He moved to France in 1958, following his mother and his brother, to live in popular suburbs in north Paris where the family stayed