Archive Search

  • Callanan, Martin John. Letters 2004-2006: Confirmation That You Still Exist; I Respect Your Authority; When Will It End; One London. Book Works´ Chap Book Series, London, England: Book Works, 2007.
  • DOMINGUES, DIANA MARIA G and M MORENO. Artes: criatividade e tecnologias. Vol.1. 1 th ed.Chapecó: ARGOS, 2019.
  • DOMINGUES, DIANA MARIA G and M MORENO. Da natureza e contexto: criatividade, arte e tecnologias In Artes: criatividade e tecnologias, edited by DIANA MARIA G DOMINGUES and M MorenoVol.1. 1, , 1-31. Chapecó: ARGOS, 2019.
  • All kinds of people are using their smartphones. The displays don’t show any apps – only the sensual movements of the hands. Each pair of hands plays both roles from Michelangelo’s “Creation of Adam” at the Sistine Chapel: God the father and Adam,
  • ... Since 2000, Moya becomes a master in « live painting » : he breaks...
  • 2022, interactive online video for mobile devices with touch-screen (runs in web browser; best suited for iPhones and iPads) In her interactive video work Smart Pantheon RGB, Myriam Thyes addresses the almost religious devotion we give to our
  • The Waiting Room -
    "The Waiting Room" is a virtual space that 50 users share through the Internet. The visitors to the space are strangers, united by the software, the Internet, and the artwork itself. In this space the visitor becomes a participant in a moving
  • DOMINGUES, DIANA MARIA G and M MORENO. Ciberarte e criatividade: glossário e data mining como sistema vivo de apoio à aprendizagem In Artes: criatividade e tecnologias, edited by DIANA MARIA G DOMINGUES and M MorenoVol.1. 1, , 320-331. Chapecó:
  • Fisher, Scott S. and M. McGreevy and J. Humphries and Robinett, W.. Virtual Environment Display System In ACM Workshop on 3D Interactive Graphics, Chapel Hill, North Carolina, October 23-24, Chapel Hill: 1986.
  • The elegant 19th-century interior of the Rideau Chapel is once again transformed through Janet Cardiff’s extraordinary audio installation Forty-Part Motet, a contemporary reworking of Spem in Alium by the 16th-century composer Thomas Tallis.