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  • Futurte Everything 2010
    FutureEverything at Media Festival Arts FutureEverything is presenting a Lounge, Panel, Artwork and Online Forum at Media Festival Arts, 8-10 September, Roundhouse London. The FutureEverything Online Forum is live from 2nd September (12 noon) and
  • Euopean Media Art Festival 1990
    To mark the start of the new decade, the European Media Art Festival presented a review of German experimental film and video art production from the 1980s, offering viewers the opportunity to see familiar works again and to perhaps rediscover and
  • European Media Art Festival 1993
    In a time characterised by the loss of utopia and by major social and political change, creativity was called for – this was where artistic and philosophical concepts became increasingly important for creating new perspectives. Not the answer, but
  • What will come (Has already come) -
    This installation features the debut of an important new addition to the SCMA collection, “What Will Come” (2006), a major film by the South African artist William Kentridge. One of the most innovative aspects of Kentridge’s work is his hand-drawn
  • European Media Art Festival 2005: Document
    Under the motto "Document", the 18th EMAF highlighted various media artistic approaches to documentary forms. Playing with media structures, analysing the power of the media, reflecting one’s own media production and examining the conditions of
  • transmedia '97 -
    ... relevant to these media realms into the programme: brain...
  • Ksenia Fedorova
    ... interfaces and mixed reality settings. Her...
  • The Paris-New Delhi Tunnel -
    En septembre 1995 Les visiteurs du musée d’Art Contemporain de Montréal et ceux du Centre Georges Pompidou à Paris creusaient chacun de leur côté un tunnel virtuel à la rencontre les uns des autres. Deux ans plus tard ce premier maillon d’un tunnel
  • And Thats The Way It Is
    And That’s The Way It Is is a collaboration between the University of Texas’s public art program Landmarks and The Office for Creative Research from the spring of 2012. Drawing on transcripts from the Cronkite archives held by the Briscoe Center and
  • Codes and algorithms.
    Can algorithms ensure greater neutrality and efficiency? Are they as free from human bias as we usually think? The exhibition ‘Codes and algorithms. Wisdom in a calculated world’ seeks to make sense of this phenomenon and it’s implications. n recent
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