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... the interior space of the dome and so constitute a volume of particles on which the projected images were attenuated. Fireworks let...

... a material which John Latham was using extensively in his artistic practise at this time. One of the centerpieces was a...

... (many of whom spontaneously threw off their clothes) became part of the cinematic spectacle. In this way the immersive space of...

The film Continuous Sound and Image Moments (1966) was projected onto a live performance of professional female mud wrestlers.

In the Alpevent white polythene tubing was slowly inflated inside a somewhat confined space. The people there dragged and wove the tubing around their bodies, but expanding plastic gradually pushed many of them out of the room. A further performance

In Waterquake long lengths of tubing were dropped into a canal and then slowly inflated with air and smoke. The tubing emerged from the water, filling the canal and then spilling over into the surrounding streets. The spectators pulled and knotted

An inflatable tube made from transparent plastic, 250 metres long and 3 metres in diameter, was placed over the Mach lake connecting its opposite banks. This air-filled floating bridge had airlock revolving doors at each end, and its pliable floor

A monumental sculpture proposed for the Schouwburgplein in Rotterdam and constituted by massive letters forming the words NO THING.

Another type of Airground which resembled a large mattress, its upper and lower surfaces held together by interior ties.

Numerous disillusionary manipulations of domestic TV sets were made for a television broadcast by the V.P.R.O. For instance, the TV screen was replaced with a white painted black balloon on which film was projected - when the balloon was inflated