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  • Reabracadabra, 1985 - Videotext animated poem shown in 1985 in the group exhibition Arte On-Line, a national videotext art gallery presented by Companhia Telefônica de São Paulo. In 2003 Reabracadabra was adapted for cel phones.
  • Tesão -
    Videotext (minitel) animated poem shown online in the group exhibition Brazil High-Tech (1986), a national videotext art gallery organized in Rio de Janeiro by Eduardo Kac and Flavio Ferraz and presented by Companhia Telefônica de São Paulo (in
  • ... interactions, with the ethereal circumstances of digital-induced situations. In my...
  • Adriano Abbado has always been interested in non-verbal communication. In 1972 he made his first experiments with photography and environmental sounds. In 1977 he graduated in Electronic Music Composition at the Conservatory of Milan. In 1981 he
  • the group exhibition Brazil High-Tech (1986), a national videotext art gallery organized in Rio de Janeiro by Eduardo Kac and Flavio Ferraz and presented by Companhia Telefônica de São Paulo. See keyframes of this work here.
  • Baudrillard, Jean. Videowelt und Fraktales Subjekt In Aisthesis. Wahrnehmung heute oder Perspektiven einer anderen Ästhetik, edited by Karlheinz Barck, 252-264. Leipzig: Reclam, 1991.
  • Fleischmann, Monika and Christian Bohn and Wolfgang Strauss. Visiones liquidas, el espejo virtual de Narciso In Contaminaciones: del videoarte al multimedia, edited by Jorge La FerlaBuenos Aires: Libros del Rojas, 1997.
  • Donald Kuspit and Lourdes Cilleruelo and Félix Duque and William V. Ganis and Van Van Proyen and Peio H. Riaño, ed. ARTE DIGITAL Y VIDEOARTE: TRANSGREDIENDO LOS LÍMITES DE LA REPRESENTACIÓN. Madrid: Circulo de Bellas Artes, 2020.
  • Interactive installation with a digital mirror (videocamera + retro-projected screen mirror-shaped) reflecting the face of the visitor standing in front of the mirror. The image is focussed when the visitor stand up to observe the mirror and
  • Kunstfrühling 2014 -
    Marcello Mercado Van Gogh Variationen Die Installation setzt sich mit der Beziehung zwischen biologischen, technologischen und künstlerischen Formen auseinander. Mittels eines Systems von Datentransformation und –übersetzung, das in der Erschaffung