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  • Building Interactive Worlds in 3D: Virtual Sets and Pre-visualization for Games, Film & the Web
    Gauthier, Jean-Marc. Building Interactive Worlds in 3D: Virtual Sets and Pre-visualization for Games, Film & the Web. Burlington,MA/Oxford(UK): Focal Press, 2005.
  • Robert Nideffer
    American digital artist. His work has been exhibited at a variety of national and international venues including the Museo Nacional Centro de Arte in Spain; the Laguna Art Museum in Laguna Beach, California; the Museum of Modern Art in New York,
  • Josh Nimoy
    "I am a silicon valley unicorn. I make software art. I communicate between engineers and artists. I think a lot about issues of programming for non-programmers. I am best known for my generative computational aesthetics for Disney's TRON:Legacy. My
  • Roc Parés
    Roc Parés Burguès (Mexico, 1968. Lives and works in Catalonia since 1983). http://roc-pares.net Professional profile • Researcher of the Interactive Communication Group of DigiDoc, UPF. • Professor of Interactive Communication and Media Arts:
  • Between punched film and the first computers, the work of Konrad Zuse.
    Andres Burbano and Paul Thomas. Between punched film and the first computers, the work of Konrad Zuse. In Relive : Media Art Histories, edited by Sean CubittCambridge, Mass.: MIT Press, 2013.
  • Kayla Parker
    Artist film-maker whose current work centres on watery places such as rivers, estuaries and coastal zones. She uses a process-based dialogic methodology informed by écriture féminine to explore the interrelationship between bodies and forgotten,
  • Irena Paskali
    Irena Paskali was born 1969 in Macedonia, she currently lives and works in Cologne, Germany. Before studying at the Academy of Media Arts Cologne, where she finished her Master of Arts in 2007, she graduated from the Academy of Fine Arts Skopje. The
  • The Ecocinema reader: Theory and Practice
    Rust, Stephen and Salma Monani and Sean Cubitt, ed. The Ecocinema reader: Theory and Practice. New York: Routledge/Amercian Film Institute, 2012.
  • Las 3 eras de la imagen - Imagen-materia, film, e-image
    Brea, José Luis. Las 3 eras de la imagen - Imagen-materia, film, e-image. Madrid, Spain: AKAL, 2010.
  • Photos, Film Capture Surrey's Non-Identity
    Laurence, Robin. Photos, Film Capture Surrey's Non-Identity Georgia Straight paper (British Columbia, Canada) (September 2, 2004 2004).
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