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  • Recaos -
    ... A appeared above the C, followed by a series of letters O moving upwards. This motion was against the default mode of the videotex medium, which refreshed pages with slow top-to-bottom scans. Like a light beam, the letter was "reflected" by the top margin...
  • D/eu/s -
    ... "Deus". The numbers were not random either. They indicated the date when the work was produced and uploaded to the Brazilian videotex network.
  • Enric Socias
    ... world where people must find their proper way to preserve quality of emotions. My work has been exhibited in the Latin videoart festival (New York), in the Salón Inter-nacional de Artistas (Medellín, Colombia), in MediaLab-Prado (Madrid), in the...
  • Adriano Abbado
    ... Santa Cecilia, Rome, 1998; Milia, Cannes, 1994; Grand Palais, Paris, 1993; Ircam, Paris, 1989; La Biennale, Venice, 1986; Videoart Festival, Locarno, 1985; Palazzo Reale, Milan, 1983.
  • Reabracadabra
    ...Reabracadabra, 1985 - Videotext animated poem shown in 1985 in the group exhibition Arte On-Line, a national videotext art gallery presented by Companhia Telefônica de São Paulo. In 2003 Reabracadabra was adapted for cel phones.
  • Tesão -
    Videotext (minitel) animated poem shown online in the group exhibition Brazil High-Tech (1986), a national videotext art gallery organized in Rio de Janeiro by Eduardo Kac and Flavio Ferraz and presented by Companhia Telefônica de São Paulo (in Portuguese).
  • Brazil High-Tech (1986)
    ... the group exhibition Brazil High-Tech (1986), a national videotext art gallery organized in Rio de Janeiro by Eduardo Kac and Flavio Ferraz and presented by Companhia Telefônica de São Paulo. See keyframes of this work here.
  • Videowelt und Fraktales Subjekt
    ...Baudrillard, Jean. Videowelt und Fraktales Subjekt In Aisthesis. Wahrnehmung heute oder Perspektiven einer anderen Ästhetik, edited by Karlheinz Barck, 252-264. Leipzig: Reclam, 1991.
  • Visiones liquidas, el espejo virtual de Narciso
    ...Fleischmann, Monika and Christian Bohn and Wolfgang Strauss. Visiones liquidas, el espejo virtual de Narciso In Contaminaciones: del videoarte al multimedia, edited by Jorge La FerlaBuenos Aires: Libros del Rojas, 1997.
  • ARTE DIGITAL Y VIDEOARTE: TRANSGREDIENDO LOS LÍMITES DE LA REPRESENTACIÓN
    ...Donald Kuspit and Lourdes Cilleruelo and Félix Duque and William V. Ganis and Van Van Proyen and Peio H. Riaño, ed. ARTE DIGITAL Y VIDEOARTE: TRANSGREDIENDO LOS LÍMITES DE LA REPRESENTACIÓN. Madrid: Circulo de Bellas Artes, 2020.
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