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  • Print on gold-plated steel The golden tableau depicts the outline of the Mediterranean Sea and its neighbouring states; escape routes and ferry routes, routes of cruise liners and patrol boats that cross the sea on their journeys were superimposed,
  • Concertina -
    Print on gold-plated steel An UV print on gilded steel features a series of ornamental patterns. As in the project 'Violating Patterns (2014)', 'Concertina' adopts representations of NATO barbed wire models from the product catalogue of a
  • KALEIDOSKOP functions as a very large and completely walkable lightbox. On its surface float in separate layers inks in cyan, magenta and yellow (CMY). But these colors what we see are not there, they do not exist outside of our head, they are
  • Video projection, print on plexiglass dim: 100 x 138 cm (x 2) The kaleidoscopic video is based on radiological recordings of the author’s brain. The recording of neural connections (nerve tracts) shown by tractography (diffusion MRI) is
  • The National Museum of Modern Art, Kyoto (MoMAK), is pleased to announce on the behalf of the National Museum of Modern Art, Tokyo (MOMAT) and the Hiroshima City Museum of Contemporary Art (Hiroshima MOCA) the upcoming exhibition, William
  • RADIANCE. The International Research Platform For Virtual Reality Experiences in Art https://www.radiancevr.co/artists/eduardo-kac/.
  • The Virtual Museum is a three-dimensional computer-generated museum constituted by an immaterial constellation of rooms and exhibits. A round, motorised rotating platform is furnished with a large video projection monitor, a computer, and a chair
  • Printing on aluminium 100 x 200cm UV print; coated aluminum, colored epoxy resin Images are hypotheses about the visible. Only the viewers ability to connect what they see with their own knowledge and sentience makes a picture readable. The aluminum
  • Paula Strunden studied architecture in Vienna, Paris and London and worked at Raumlabor Berlin and Herzog & de Meuron Basel. Currently she pursues her design-led PhD within the European network TACK at the Academy of Fine Arts Vienna. Her work
  • Faced with the occasion to show Points of View 16 years after its creation, it became clear that the restitution of the original hardware and software would be much more difficult than simply reconstructing and reprogramming the complete work on a