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  • Andres Burbano and Paul Thomas. Between punched film and the first computers, the work of Konrad Zuse. In Relive : Media Art Histories, edited by Sean CubittCambridge, Mass.: MIT Press, 2013.
  • Artist film-maker whose current work centres on watery places such as rivers, estuaries and coastal zones. She uses a process-based dialogic methodology informed by écriture féminine to explore the interrelationship between bodies and forgotten,
  • Irena Paskali was born 1969 in Macedonia, she currently lives and works in Cologne, Germany. Before studying at the Academy of Media Arts Cologne, where she finished her Master of Arts in 2007, she graduated from the Academy of Fine Arts Skopje. The
  • Rust, Stephen and Salma Monani and Sean Cubitt, ed. The Ecocinema reader: Theory and Practice. New York: Routledge/Amercian Film Institute, 2012.
  • Brea, José Luis. Las 3 eras de la imagen - Imagen-materia, film, e-image. Madrid, Spain: AKAL, 2010.
  • Laurence, Robin. Photos, Film Capture Surrey's Non-Identity Georgia Straight paper (British Columbia, Canada) (September 2, 2004 2004).
  • Hirsch, Robert, ed. Exploring Color Photography. From Film to Pixels. 6 th ed.New York/London: Focal Press, 2015.
  • Stephen Travis Pope is an award-winning composer, film-maker, computer scientist and social activist based in Santa Barbara, California. He is currently active as a software development contractor and intellectual property expert through FASTLab.
  • C. E. B. REAS (b. 1972, United States) lives and works in Los Angeles. His software, prints, and installations have has been featured in numerous solo and group exhibitions at museums and galleries in the United States, Europe, and Asia. REAS'
  • Truckenbrod, Joan. The Paradoxical Object: Video Film Sculpture. London: Black Dog Publishing, 2013.