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  • Las 3 eras de la imagen - Imagen-materia, film, e-image
    Brea, José Luis. Las 3 eras de la imagen - Imagen-materia, film, e-image. Madrid, Spain: AKAL, 2010.
  • Josh Nimoy
    "I am a silicon valley unicorn. I make software art. I communicate between engineers and artists. I think a lot about issues of programming for non-programmers. I am best known for my generative computational aesthetics for Disney's TRON:Legacy. My
  • Roc Parés
    Roc Parés Burguès (Mexico, 1968. Lives and works in Catalonia since 1983). http://roc-pares.net Professional profile • Researcher of the Interactive Communication Group of DigiDoc, UPF. • Professor of Interactive Communication and Media Arts:
  • Photos, Film Capture Surrey's Non-Identity
    Laurence, Robin. Photos, Film Capture Surrey's Non-Identity Georgia Straight paper (British Columbia, Canada) (September 2, 2004 2004).
  • Exploring Color Photography. From Film to Pixels
    Hirsch, Robert, ed. Exploring Color Photography. From Film to Pixels. 6 th ed.New York/London: Focal Press, 2015.
  • The Paradoxical Object: Video Film Sculpture
    Truckenbrod, Joan. The Paradoxical Object: Video Film Sculpture. London: Black Dog Publishing, 2013.
  • Film as Submersive Art
    Vogel, Amos. Film as Submersive Art. New York: Random House, 1976.
  • Film as Submersive Art
    Vogel, Amos. Film as Submersive Art. New York: Random House, 1976.
  • Kayla Parker
    Artist film-maker whose current work centres on watery places such as rivers, estuaries and coastal zones. She uses a process-based dialogic methodology informed by écriture féminine to explore the interrelationship between bodies and forgotten,
  • Irena Paskali
    Irena Paskali was born 1969 in Macedonia, she currently lives and works in Cologne, Germany. Before studying at the Academy of Media Arts Cologne, where she finished her Master of Arts in 2007, she graduated from the Academy of Fine Arts Skopje. The
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