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  • Elektronische Malerei und ihre Programmierung
    Götz, Karl Otto. Elektronische Malerei und ihre Programmierung Das Kunstwerk 12 (June 1961).
  • Computers in the Arts
    Thie, Joseph A.. Computers in the Arts Computers and Automation 10, no. 9 (September 1961): 23-28.
  • Ale Guzzetti
    ALE GUZZETTI (Pier Natale Guzzetti, 1953, Milan, Italy) He studied at the Brera Academy of Fine Arts, Milan, and he took some University courses in electronic and computer music at the Polytechnic University of Milan and at the Calculate Sonology
  • Cybernetics, or Control and Communciation in the Animal and the Machine
    Wiener, Norbert. Cybernetics, or Control and Communciation in the Animal and the Machine. Cambridge, MA: The MIT Press, 1961.
  • Virtual Berlin Wall -
    The Berlin Wall separated West Berlin from East Berlin from 1961 - 1989. As part of the “inner German border” it was a symbol of the Cold War and the division of large parts of the world into two opposing political systems. By now, most traces of
  • Education Automation
    Fuller, R. Buckminster. Education Automation. Carbondale, Edwardsville: Southern Illinois University Press, 1962.
  • EXPANDE.ART
  • MONIKA FLEISCHMANN & WOLFGANG STRAUSS: CREATING VIRTUAL WORLDS -
    On the occasion of the exhibition REIMAGINE TOMORROW, 1954-2024, Anika Meier spoke with Fleischmann and Strauss about their artistic beginnings in 1980s West Berlin, the role of NFTs as archives for digital art, and their interdisciplinary
  • William Kentridge -
    William Kentridge, a native of Johannesburg (b. 1955), is an internationally acclaimed artist whose multimedia works present an arresting and forceful commentary on the contemporary cultural and sociopolitical issues in South Africa. Inspired by
  • Medidas de emergencia -
    Medidas de emergencia puts on display Antoni Abad’s (Lleida, 1956) artistic evolution in regards to the use of new media. In this case, the tour passes from sculptural practice to video. Experimentation with media does not mean the abandonment of
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