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Hauser, Jens and Paul Thomas. Remediating Still Life, Pencils of Nature and Fingerprints In Relive: Media Art Histories, edited by Sean CubittLeonardo book series, , 275-307. Cambridge: MIT Press, 2013.

Benayoun, M.. La Science soumise a la Question par l'Art http://www.academia.edu/35833598/La_Science_soumise_a_la_Question_par_lArt.

Hsiao-chiu, Lai. Revelation -Notification: Research Solo Exhibitionby Lin Pey-Chwen http://www.linpeychwen.org/wp-content/uploads/2013/09/Revelation-Notification.pdf.

Berlot, Uršula. Anatomy for Artists: University Tutorial (electronic book) Ljubljana: Research Institute of the Academy of Fine Arts and Design, University of Ljubljana (2013).

Bassin, Aleksander. Magija umetnosti. Protagonisti slovenske sodobne umetnosti 1968 – 2013/La magia dell’arte. I protagonisti dell’arte Slovena contemporanea 1968 – 2013, Villa Manin, Passariano di Codroipo, Italy. Ljubljana: DLUL, 2013.

Sonica. Festival of Transitory Art, MoTA, 22. 11. – 30. 11. 2013 Ljubljana: MoTA (2013).

Nagy, Vasja. Uršula Berlot: Transparentno telo (Vanitas)/Transparent Body (Vanitas), Gallery Domžale, 7th – 23th of March 2013 Domžale: Kulturni dom Franca Bernika (2013).

Perissinotto,Paula & Barreto,Ricardo, ed. FILE GAMES RIO 2013 – GAME LOVER. Vol.1000. 1 th ed.São Paulo: Paula Perssinotto & Ricardo Barreto, 2013.

Sito, Tom. Moving Innovation: A History of Computer Animation. 1st Edition th ed.Cambridge, Mass. USA: MIT Press, 2013.

Seaman, Bill. Neosentience and the Abstraction of Abstraction Systems Connecting Matter, Life, Culture and Technology 1, no. 1 (2013).