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  • I am fascinated by human/techno/plant relations in dynamic systems and networked assemblages. Working with new technology against the grain, my research takes a positive yet critical approach, framed by new materialism and posthumanism. I have
  • Lunenfeld, Peter. Char Davies Art + Text 53 (1996): 82-83.
  • Osmose
    Davies, Char. Osmose In Arte Virtual - Realidad Plural, edited by Karin OhlenschlägerMonterrey, MEX: Museo de Monterrey, MEX, 1997.
  • Grant Marchand, Sandra. Char Davies: Osmose In Project Series, exhibition catalogue Musée d´art contemporain de Montréal, : 1995.
  • Robertson, Barbara. Computer Artist Char Davies Computer Artist 3, no. 2 (February/March 1994): 16-20.
  • Le Grande, Jean-Pierre. Char Davies: Osmose du virtuel au naturel Vie des Arts XXXIX, no. 160 (Fall 1995): 27-29.
  • Mel Alexenberg is an artist, educator, writer and blogger working at the interface between art, science, technology and culture. His artworks explore interrelationships between the networked world and spirituality, postdigital art and Jewish
  • Beryl Graham is an artist, curator, writer and educator with a special interest in curating and new media art. She is a Research Professor at the University of Sunderland, and co-founder and co-editor of the website CRUMB, Curatorial Resource for
  • Asiomanoff, Florent. Osmose: L´univers de Char Davies Nov´Art , no. 18 (Fall 1995): 12.
  • Banville, Annie-Claude. La polysensorialité dans Osmose de Char Davies In Jeunes chercheurs du CELAT, Montreal: 2000.