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Latour, Bruno and Peter Weibel, ed. Making Things Public. Atmospheres of Democracy. Cambridge, Mass: MIT Press, 2005.

Fritz, Darko and Marija Gattin and Peter Weibel. A Little-Known Story about a Movement, a Magazine, and the Computer's Arrival in Art: New Tendencies and Bit International, 1961-1973. Karlsruhe, Germany; Cambridge, Mass. USA:ZKM: MIT press, 2011.

Galloway, Alexander. The Interface Effect. Cambridge: Polity, 2012.

Galloway, Alexander. Protocol:How Control Exists After Decentralization. Cambridge: MIT Press, 2004.

Manovich, Lev. The Illusions. A BIT of The Language of New Media.. Cambridge, Mass.: MIT Press, 2014.

Manovich, Lev. Soft Cinema: Navigating the Database. Cambridge, Mass.: MIT Press, 2005.

Gessert, Georg. Green Light. Toward an art of evolution. Cambridge/Mass.: MIT Press, 2010.

Hauser, Jens and Paul Thomas. Remediating Still Life, Pencils of Nature and Fingerprints In Relive: Media Art Histories, edited by Sean CubittLeonardo book series, , 275-307. Cambridge: MIT Press, 2013.

Hauser, Jens. Observations on an Art of Growing Interest: Toward a Phenomenological Approach to Art Involving Biotechnology In Tactical Biopolitics: Art, Activism, and Technoscience, edited by Beatriz Da Costa and Kavita Philip, 83-103. Cambridge:

Sito, Tom. Moving Innovation: A History of Computer Animation. 1st Edition th ed.Cambridge, Mass. USA: MIT Press, 2013.