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  • Excéntrica -
    Stereoscopic Short Film. Partially funded by a Sabbatical Leave Fellowship of the FCT (Fundação para a Ciência e a Tecnologia), Portugal. Developed at the University of the Basque Country, Spain, and the Polytechnic University of Madrid, Grupo de
  • Uncertain Space -
    Work in progress. Partially funded by a Sabbatical Leave Fellowship of the FCT (Fundação para a Ciência e a Tecnologia), Portugal. Developed at CeDInt, Polytechnic University of Madrid R&D+i center for Energy Efficiency, Virtual Reality Group,
  • Arns, Inke and Jacob Lillemose. Es arte contemporáneo, imbecil - Comisarios de arte digital para sacarlos del gueto, a minima new media, actual art 13 (2005): 164-175.
  • DOMINGUES, DIANA MARIA G. Mashup art e crawler art: o sublime tecnológico do lixo remixado In Digital Trash: Linguagens, Comportamentos, Entretenimento e Consumo, edited by Vinicius Andrade PereiraVol.1. , 152-169. Rio de Janeiro: E- Papers, 2009.
  • ELO 2022-E2Lit -
    The work combines various mediums and literary genres (the cookbook’s taxonomy and authoritative style, scientific papers, children’s rhymes…) to reshape its own and presents the reader with complex assemblages on entangled phenomena related to
  • Journey to the Moon -
    Verzaubert von dem ersten Science-Fiction-Film der Geschichte "Le Voyage dans la Lune" (George Méliès, 1902), schafft der zeitgenössische Künstler William Kentridge mit seinem gleichnamigen Werk eine Hommage an den französischen Experimentalfilmer
  • Marta de Menezes. A biologia como novo meio para as artes visuais Propostas de Arte Portuguesa 9 (2007): 90-93.
  • ALCALÁ MELLADO, José Ramón. Ser Digital; Manual para náufragos de la cultura electrónica.. Santiago de Chile (Chili): Ediciones de la Universidad de Chile., 2009.
  • Cilleruelo, Lourdes. Manual de referencia para el artista de Internet In Arte elektronikoa Euskal Herrian. Un lugar para el arte en el lugar de la ciencia., edited by .San Sebastián, Spain: Kutxaespacio de la ciencia, 2001.
  • C. E. B. REAS (b. 1972, United States) lives and works in Los Angeles. His software, prints, and installations have has been featured in numerous solo and group exhibitions at museums and galleries in the United States, Europe, and Asia. REAS'