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  • The Potential Thief -
    New performance installation exploring the relationship between the individual and cinematic image. Performers and audience members negotiate one another’s movements as they copy excerpts from films. Three audience members are asked to join each
  • Preservation of Digital Art, Theory and Practice
    Serexhe Bernhard. Preservation of Digital Art, Theory and Practice. ISBN 978-3-7091-1469-8, EU program INTERREG IV Oberrhein: Ambra V, Vienna, 2012.
  • Simulation and Social Theory. Theory, Culture and Society
    Cubitt, Sean. Simulation and Social Theory. Theory, Culture and Society. London: Sage, 2001.
  • Alessio Chierico
    Alessio Chierico (Ph.D.) is an interdisciplinary artist, researcher, and lecturer with a background in contemporary art, design theory, and media studies. Chierico is currently a full professor at the Academy of Fine Arts of Frosinone, where he
  • Elisabeth Diller
    Attended the Cooper Union School of Art and BA in Architecture in 1979. She then taught at the Cooper Union and has been Associate Professor of Architecture at Princeton, NJ, since 1990. The firm of Diller + Scofidio was formed in 1979. Elizabeth
  • Digital Aesthetics. Theory, Culture and Society
    Cubitt, Sean. Digital Aesthetics. Theory, Culture and Society. London, New York: Sage, 1998.
  • On Visualized Vision In The Early Photographic Work Of Warren Neidich
    Neubauer, Susanne. On Visualized Vision In The Early Photographic Work Of Warren Neidich Theory, Culture & Society 27 (December 2010): 306-323.
  • Integral Waste
    Cubitt, Sean. Integral Waste Theory, Culture & Society 32, no. 4 (2015): 133-145.
  • The Ecocinema reader: Theory and Practice
    Rust, Stephen and Salma Monani and Sean Cubitt, ed. The Ecocinema reader: Theory and Practice. New York: Routledge/Amercian Film Institute, 2012.
  • Maria Fernandez
    María Fernández is Associate Professor in the Department of History of Art and Visual Studies at Cornell University and currently serves as Director of Graduate Studies. She received her doctorate in art history from Columbia University in 1993. Her
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