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Marchese, Francis T.. Software Archaeology and the Preservation of Code-based Digital Art In Proceedings of Archiving Conference 2013, edited by Society for Imaging Science and Technology, 25-30. Springfield, VA: 2013.

Obtulowicz, Adam. Multigraphical Membrane Systems Revisited In Conference Proceedings for International Conference on Membrane Computing (CMC 2012), edited by Erzsébet Csuhaj-Varjú, 311-322. Berlin/Heidelberg: Springer, 2013.

Lodi, Simona. Illegal Art and Other Stories In Unlike Us Reader: Social Media Monopolies and their Alternatives, edited by Geert Lovink and Miriam Rash, 250-251. Amsterdam: Institute of Network Cultures, 2013.

Waelder, Pau. White Cube Augmented: AR Art and the Gallery Space etc Magazine (October 2012 - February 2013): 53-57.

Mesch, Claudia. Art and Politics: A Small History of Art for Social Change Since 1945. London: Tauris, 2013.

Flanagan, Mary. The Bride Stripped Bare to Her Data: Information Flow + Digibodies In The Feminist and Queer Information Studies Reader, edited by Patrick Keilty and Rebecca Dean, 13-47. Sacramento, CA: Litwin Books, 2013.

Thiel, Tamiko. Interview, Statement, Artwork Leonardo Electronic Almanac 19, no. 2 (2013): 210-219.

Reinhuber, Elke. Counterfactualism – a new category for fine arts and humanity, dealing with the retrospective analysis of turning points in life Phd Thesis, COFA/UNSW, Sydney, March 2013.

Huhtamo, Erkki. The Dream of Personal Interactive Media: A Media Archaeology of the Spirograph, a Failed Moving Picture Revolution Early Popular Visual Culture 11, no. 4 (2013): 365-408.

Huhtamo, Erkki. Illusion and its Reverse: About Artistic Explorations of Stereoscopic 3D In Expanded Narration: Das neue Erzählen: B3 Biennale des Bewegten Bildes, edited by Bernd Kracke and Marc Ries, 123-141. Frankfurt am Main: transcript, 2013.