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Boredomresearch. Freefall, Arts Council England international artists fellowships 2001-2003. : Arts Council England, 2004.

The Council for the International Biennale in Nagoya. ARTEC '89: the possibility for art and technology. Nagoya: The Chunichi Shimbun, 1989.

Andrew, Caroline and Will Straw and Joseph Yvon Theriault, ed. Canadian Identity: Region, Country, Nation. Montreal: The Association for Canadian Studies, 1998.

Mitchell, William J. and Marjory Blumenthal and Alan S. Inouye, ed. Beyond Productivity: Information Technology, Innovation, and Creativity [National Research Council]. Washington, D.C.: The National Academies Press, 2003.

Serexhe, Bernhard.. Threshold Country Media Art catalog n/a, no. n/a (n/a 2006): 32.

Curtis, Cathy. Hjce´n´Subversive Los Angeles Times (Orange County edition) (March 1993).

Coupe, James. Art, Surveillance and Metadata In Worldmaking as Techné: Exploring Worlds of Participatory Art, Architecture, and Music, edited by M-D. HosaleRolling Meadows: 2016.

Bolas, M.T. and Scott S. Fisher. Head-Coupled Remote Stereoscopic Camera System for Telepresence Applications Stereoscopic Displays and Applications 1256 (1990): 113-123.

DOMINGUES, DIANA MARIA G. Cyberart and interfaces: the coupled body Digital Creativity, Taylor & Francis 3, no. 15 (2004): 159-173.

Courant, Michéle and Beat Hirsbrunner and Kilian Stoffel. Managing Entities for an Autonomous Behavior In Artificial Life and Virtual Reality, edited by Nadia Magnenat-Thalmann and Daniel ThalmannLondon: John Wiley and Sons Ltd., 1994.