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Gregory Chatonsky
Gregory Chatonsky is an artist born in Paris in 1971. He currently resides in Montreal and Paris. He holds a philosophy master’s from the Sorbonne and a multimedia advanced degree from the Ecole nationale superieure des beaux-arts in Paris. He has
Whitney Biennial 2002 Net Art Selection
2002
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2002
The selection of Internet-based art for the 2002 Biennial strives to give an impression of the variety of forms that net art can take and of the multiple themes that have emerged over the years. These forms range from alternative browsers and
In the Beginning: Artists Respond to Genesis
2009
Event: In the Beginning: Artists Respond to GenesisInstitution: Contemporary Jewish MuseumComment:
RESPOND - Body/Data/Space
2003
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2003
Event: RESPOND - Body/Data/SpaceInstitution: Cambridge UniversityComment:
IF THEN LOGICAL IMAGINARY
2009
The encounter between two images randomly downloaded from Flickr is a logical articulation of and,or,implies,if...then,if and only if,only if,just in case,but,however,not both,neither...nor ----- Gregory Chatonsky is an artist born in Paris.
Ballet Mori
2006
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2006
video
To commemorate the 1906 San Francisco Earthquake, Ballet Mori engaged the Earth as a living medium and a conductor for dance. In this improvisational performance, SF Ballet Principal Dancer Muriel Maffre responded to a musical composition modulated
The Drake Street Observatory
2001
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2003
Drake Street is a street in Rochdale. It is much like many other streets in other towns across Britain. It is also unique. Drake Street is not the main shopping street of Rochdale and is therefore not populated by shops from the major national and
Nanette Wylde
Nanette Wylde is an interdisciplinary artist, writer and cultural worker making environmental and socially reflective works using a variety of hybrid media. Wylde is a co-founder of PreNeo Press, a conceptual space creating projects, publications,
Digital Sustainability: From Resilience to Transformation
2022
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2022
Inspired by forms of animism, herbalism, panpsychism, and the care of sustenance networks, Badani’s 3D animations explore the intersectionality of the climate crisis and the COVID-19 pandemic. In 2019, a bio-based symbiotic interaction unfolded in
Essay concerning human understanding
1994
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1994
Placed in the middle of the Center for Contemporary Art, the yellow canary was given a very large and comfortable cylindrical white cage, on top of which circuit-boards, a speaker, and a microphone were located. A clear Plexiglas disc separated the
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