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Davies, Char. Osmose: Notes on Being in Immersive Virtual Space In Digital Creativity, edited by Colin Beardon and Lone et. al. MalmborgVol.9. Lisse: Swets and Zeitlinger Publishers, 1998.

Davies, Char. Osmose: Notes on Being in Immersive Virtual Space In Digital Creativity: A Reader, edited by Colin Beardon and Lone Malmborg, 101-110. Lisse: Swets and Zeitlinger Publishers, 2002.

Sermon, Paul and Andrea Zapp and Itoh Toshiharu. Project ICC: Telematic Art and the Cartesian Body - A conversation between Paul Sermon, Andrea Zapp and Itoh Toshiharu Intercommunication 16 (1996): 46-51.

Zapp, Andrea. Private Views - the Role of the Viewer in Networked Digital Models of Narration In De la Pantalla al Arte Transgénico, edited by Jorge La Ferla, 186-192. Buenos Aires: Libros Del Rojas, Universidad Buenos Aires, 2000.

DOMINGUES, DIANA MARIA G and Grupo Artecno. Firmamento Pop Stars, HeartScapes - Paisagens do coração - imersão na caverna de realidade virtual, RV Aquarium, I'Mito: zapping zone, Trans-e: my body, my blood Revista Polêmica 14 (2005).

DOMINGUES, DIANA MARIA G and Grupo Artecno. Firmamento Pop Stars, HeartScapes - Paisagens do coração - imersão na caverna de realidade virtual, RV Aquarium, I'Mito: zapping zone, Trans-e: my body, my blood Revista Polêmica , no. 14 (2005).

Scott, Jill. Crossing and Collapsing Time, Re-constructing (Her) Historical and Ideological Film Narratives on a Transformed Stage In New Screen Media. Cinema/Art/Narrative, edited by Martin Rieser and Andrea ZappKarlsruhe, London: BFI London and

Seiffert, Philipp and Ursula Damm, ed. Ursula Damm. Zeitraum (51 13.66 Nord, 6 46.523 Ost). Düsseldorf: K20K21 Kunstsammlung Nordrhein-Westfalen, 2005.