Archive Search

  • Isabelle Jenniches (1971) received her Master's degree in Theater and Film Design from the Academy of Applied Art in Vienna, Austria, and a postgraduate degree in Digital Media and Fine Arts from Media-GN in Groningen, the Netherlands. After her
  • Kunstverein München. Impulse Computerkunst. Graphik, Plastik, Musik, Film: Kunstverein München, 8.5. bis 7.6. 1970. München: Kunstverein München, 1970.
  • Takashi Kawashima is a designer and media artist living in San Francisco. His work explores the re-contextualizing of commonplace items to create new awareness of the mundane. Takashi was featured as one of ten emerging student artists in the
  • Annja Krautgasser is a media artist and architect who has been teaching on architecture, media, and the public at the Academy of Arts in Linz, and is an assistant at the Technical University in Graz, Austria. Rainer Mandl, born 1968, is a web and
  • My particular expertise in the history of computer and digital art began in 2002 when I joined an AHRC-funded research group at Birkbeck College, University of London – The CACHe Project (Computer Arts, Contexts, Histories, etc), which investigated
  • Christiane Paul. Expanding Cinema: The Moving Image in Digital Art In Film and Video Art, edited by Stuart ComerLondon: Tate Publishing, 2008.
  • Simon Jr., John F.. Building Process Millennium Film Journal , no. 27 (Winter 1994): 37-45.
  • William Latham's Computer Artworks In 1990 Mark Ayres was commissioned by artist William Latham (then Visiting Fellow at the IBM UK Scientific Centre) to compose a score for his Computer Art film The Evolution of Form. The result was highly
  • Alex May (b. 1972) is an English artist exploring a wide range of digital technologies, most notably video projection onto physical objects (building on the technique known as video mapping or projection mapping by using his own bespoke software),
  • Kluszczyński, Ryszard W.. From Film to Interactive Art: Transformations in Media Arts In MediaArtHistories, edited by Oliver Grau, 207-228. Cambridge, MA/London: MIT Press, 2007.