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der zeresser
2007
-
2007
leo peschta
der zermesser, 2007
Robot Der Zermesser is an autonomous object whose purpose is to feel its way around and to articulate the relation between its own form and its surroundings. Each side and each corner are autonomous entities. The...
Der Xerox und das Unendliche
1991
Baudrillard, Jean. Der Xerox und das Unendliche In Cyberspace. Zum medialen Gesamtkunstwerk, edited by Florian Rötzer and Peter WeibelGrafrath: Boer Verlag, 1991.
Der Wald
1993
"In the first version of "The forest", made as a computer animation, the image of the forest creates the impression of a three-dimensional space constructed from elements which themselves are only two-dimensional. The basis for the image is a...
Der virtuelle Körper
1996
Rötzer, Florian. Der virtuelle Körper Kunstforum International 133 (1996): 54.
DER TRAUM VOM RAUM
2003
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2003
video
A light installation for the Night of Museums Berlin inspired by the concept of coloured shadows in Goethe’s Theory of Colours
Der Themenpark der EXPO 2000 die Entdeckung einer neuen Welt
2000
Roth, Martin, ed. Der Themenpark der EXPO 2000 die Entdeckung einer neuen Welt. Vol.2. Basic Needs/ Mensch/ Ernährung/ Zukunft/ Gesundheit, Wien, New York: Springer, 2000.
Der symbolische Tausch und der Tod
1982
Baudrillard, Jean. Der symbolische Tausch und der Tod. München: Matthes and Seitz, 1982.
Der simulierte Benjamin: Mittelalterliche Bemerkungen zu seiner Aktualität
1992
Bredekamp, Horst. Der simulierte Benjamin: Mittelalterliche Bemerkungen zu seiner Aktualität In Frankfurter Schule und Kunstgeschichte, edited by Andreas Berndt and Peter Kaiser and Angela Rosenberg and Diana Trinkner, 117-140. Berlin: Reimer, ...
Der Schrei
2012
A yellow, two-meter-high siren slowly rotates around its own axis and produces a constant, penetrating, cyclical stream of sound that is modulated by the turning of the horn. Its powerful acoustic waves cause objects in the exhibition space to...
Der pornographische Blick
1988
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1988
Event: Der pornographische BlickInstitution: Künstlerhaus SalzburgComment:
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