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Lin Hsin Hsin. In Bytes We Travel, ISBN: 978-981-02-3359-4, http://www.lhham.com.sg/shop/travel.html. Vol.1. 1 th ed.Singapore, USA: World Scientific Publishing, 1997.

Cox, Donna. Algorithmic Art, Scientific Visualization and Tele-immersion: an Evolving Dialogue with the Universe In Women, Art, and Technology, edited by Judy MalloyCambridge, London: The MIT Press, 2003.

Lin Hsin Hsin. Love @ 1st Byte, ISBN: 978-981-02-1026-4, http://www.lhham.com.sg/shop/love.html. Vol.1. 1 th ed.Singapore, USA: World Scientific Publishing Co, 1992.

Diez, René. Une décision scientifique pose un lapin à Avignon Midi Libre (June 2000): 8.

Wertheim, Margaret. Out of This World New Scientist 161, no. 2172 (February 1999): 38-41.

Ksenia Fedorova and Nina Sosna, ed. Media: Between Magic and Technology [in Russian]. Moscow, Ekaterinburg: Armchair Scientist, 2014.

Gehman, Chris. A Mechanical Medium: A Conversation with Zoe Beloff and Gen Ken Montgomery Cinéma Scope 6 (2001): 32-35.

Borda, Sylvia Grace. Impressions - digital cyanotypes. Studies in Photography Scotland, 2013 th ed.Scotland: The Scottish Society for the History of Photography, 2013.

Brouwer, Joke and Arjen Mulder and Scott et. al. Lash. Making Art of Databases. Rotterdam, NL: NAi Publishers, 2003.

Scott, Jill. Crossing and Collapsing Time, Re-constructing (Her) Historical and Ideological Film Narratives on a Transformed Stage In New Screen Media. Cinema/Art/Narrative, edited by Martin Rieser and Andrea ZappKarlsruhe, London: BFI London and