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Bureaud, Annick. Typologie des interfaces artistiques In Esthétique des Arts Médiatiques. Interfaces et sensorialité, edited by Louise Poissant, 175. Québec: Presses de l'Université du Québec, 2003.

DOMINGUES, DIANA MARIA G and M MIRANDA. Affective presence in enactive immersive space: sensorial and mobile technologies reengineering life In Trends, Experiences, and Perspectives on Immersive Multimedia Experience and Augmented Reality, edited

DOMINGUES, DIANA MARIA G and S FUNGHETTO and M MIRANDA and P. K. C. M BATISTA and P. R. F OLIVEIRA and G. A ASSIS and R TORRES. Mobility and freedom: affective cane for expanded sensorium and embodied cognition VSMM2017- The 23rd International

DOMINGUES, DIANA MARIA G and S FUNGHETTO and M MIRANDA and P. K. C. M BATISTA and P. R. F OLIVEIRA and G. A ASSIS and R TORRES. Mobility and freedom: affective cane for expanded sensorium and embodied cognition VSMM2017- The 23rd International

Curtis, Cathy. Sugar ´n´Spice: Sensory Overload in Long Beach Los Angeles Times (April 1993): fl4.

Waelder, Pau. Pain Games. Pain as sensory stimulus in the context of videogame-based digital art artnodes , no. 7 (2007): 61-70.

Fleischmann, Monika. O instrumento ludico ou o sentido dos sentidos In Conferencia Internacional sobre Technologias e Mediaco. Real vs. virtual, edited by Jose Braganca de Miranda, 365-371. Lisboa: Ediciones Cosmos, 1999.

Ascott, Roy. Das Netz, das fühlen Kann / The Sentient Net In Ars Electronica Center, Museum der Zukunft / Museum of the Future, edited by Hannes Leopoldseder, 64-71. Linz: Ars Electronica Center, 1996.

Moore, Lila and Owen Fender. Sentient: A Social Media Environment as a Conscious Living System Proceedings of EVA London 2021 (July 2021): 247-253.

DOMINGUES, DIANA MARIA G. Art Interactif, corps couplé et sentiment post-biologique In Dialogues Sur L'Art et La Technologie, edited by Edmond Couchot, 123-138. Paris: L'Harmattan, 2001.