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Manovich, Lev. Competitive Photography and the Presentation of the Self http://manovich.net/index.php/projects/competitive-photography-and-the-presentation-of-the-self.

Moore, Lila. Technoetic Magick: Explorations of the uncanny double as a noetic and magickal system through the complementary lenses of AI image-generation and AR (Jul 2024): 232-239.

Hershman, Lynn. Touch-Sensitivity and Other Forms of Subversion: Interactive Artwork Leonardo 26, no. 5 (1993): 431-436.

Hershman, Lynn. Touch-Sensitivity and other Forms of Subversion: Interactive Artwork In Women, Art, and Technology, edited by Judy Malloy, 192-205. Cambridge, MA: MIT Press, 2003.

DOMINGUES, DIANA MARIA G. Reinvenção da vida com sistemas enativos afetivos por pesquisas de Arte e TecnoCiência dos “Novos Leonardos” In Das Artes e seus Percursos Sensíveis, edited by Walmeri Ribeiro and Claudia Marinho and Patrícia Caetano,

Goldberg, Ken and Matthew T. Mason and Russell H. Taylor. Sensor-Based Manipulation Planning as a Game with Nature In Robotics Research, edited by R. Bolles and B. RothCambridge, MAS: MIT Press, 1987.

Lipton, Leonard. Now Step into a Movie: Sensorama Popular Photography 61-62 (July 1964): 114, 116.

Michelin, Simone. O Centro do Crisol In Redes Sensoriais: Arte, Ciencia e Tecnologia, edited by Katia Maciel and André Parente, 107-120. Rio de Janeiro, Brazil: Editora Contracapa, 2003.

Maciel, Katia; Parente, Andre and Simone Michelin, ed. Redes Sensoriais: Arte, Ciência e Tecnologia. Essay: O Centro do Crisol.. ISBN 85-86011-74-6, Rio de Janeiro: Editora Contracapa, 2003.

Maciel, Katia; Parente, Andre and Simone Michelin, ed. Redes Sensoriais: Arte, Ciência e Tecnologia. Essay: O Centro do Crisol.. ISBN 85-86011-74-6, Rio de Janeiro: Editora Contracapa, 2003.