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  • Warren Neidich: Historical In(ter)vention
    Joselit, David and Ron Platt and Anita Doutha. Warren Neidich: Historical In(ter)vention. Cambridge, Massachusetts: M.I.T. List Center, 1991.
  • Jürgen Trautwein
    Jürgen Trautwein is a German born interdisciplinary artist working in a variety of forms, including new media and hypertext web-works, performative temporary interferences, installations, land-art, sound art, animation and classical forms such as
  • I am a Sensor
    Seit den 90er Jahren haben sich zwischen den Künstler und sein Publikum jede Menge Apparate und Apparaturen geschoben. Kommunikation geschieht geplant, kontrolliert, reduziert, erweitert – kurz: posthuman. Dabei wird in Kauf genommen, dass jedes
  • mission of art -
    Site-specific light installation The light installation 'mission of art' is a temporary intervention on the façade of the building of the Akademie der Künste [Academy of Arts] in Berlin, for the occasion of the opening of the Academy's new location
  • Cylinder & Bots -
    Within their artistic work Giulia Bowinkel (*1983) and Friedemann Banz (*1980) explore the human perception of the digitally augmented real world. Within their generated scenarios, the computer functions both as tool and topic. The solo exhibition
  • Berlin-Cyber City Potsdamer Platz Untergrundstudie
    1990 Filmhaus Esplanade, Berlin: »Berlin-Potsdamer Platz - eine Untergrundstudie«.
  • Das Bild ist von der Leinwand auf den Schirm gewandert. In Zukunft haben im Museum alle Gattungen und Medien Platz
    Weibel, Peter. Das Bild ist von der Leinwand auf den Schirm gewandert. In Zukunft haben im Museum alle Gattungen und Medien Platz Die Welt (June 17th 1999): 16.
  • Approximately 3 Dimensions -
    To make a hole, three dimensions are necessary. In the two-dimensions of the iconic thought experiment Flatland, organisms that sustain their existence through a digestive system characterized by two holes, would find themselves split in two along
  • Ursula Damm
    Ursula Damm studied at the Art Academy in Düsseldorf, followed by postgraduate studies at the Academy of Media arts in Cologne. Early sculptures were models of space and time, developed in a bodily experience. In the 1990s installations were
  • Salon du Monde -
    In cooperation with Kunsthaus Bregenz Gabriele-Tergit-Promenade 7 (Potsdamer Platz) / public space
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