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  • Frohne, Ursula. Agnes Hegedues: Their Things Spoken In Future Cinema. The Cinematic Imaginary after Film, edited by Jeffrey Shaw and Peter Weibel, 336-339. Cambridge, MASS: The MIT Press, 2003.
  • Peter d'Agostino is an artist who has been working in video and new media for three decades. His pioneering projects have been exhibited internationally in the form of installations, performances, telecommunications events, and broadcast
  • Bruno, Giuliana. Atlas of Emotions : Journeys in Art, Architecture, and Film. London, New York: Verso, 2002.
  • Cox, Donna. What Can an Artist Do for Science: "Cosmic Voyage" IMAX Film In Art@Science, edited by Christa Sommerer and Laurent Mignonneau, 53-59. Wien, New York: Springer, 1998.
  • Pui, Susan and Nina Ernst, ed. Faster, Higher. London, UK: Film and Video Umbrella, 2009.
  • Archer, Michael and Julian Stallabrass. Thomson and Craighead Minigraph. London, UK: Film and Video Umbrella, 2005.
  • After highschool and community service in an institution for the mentally ill he went to Marburg to study art, music and media at Phillips Universität. One year later he changed to the Städelschule in Frankfurt in order to study film with Peter
  • Tamsyn Gilbert is a PhD candidate at The New School for Social Research and cofounder of New Criticals. Tamsyn has a Masters in Media Studies and Sociology and is currently working on her dissertation. She has worked in various roles at The Museum
  • Marina Gržinić is a philosopher, theoretician, and artist based in Ljubljana, Slovenia. Since 2003, she has served as Full Professor at the Academy of Fine Arts in Vienna, Austria. Gržinić does innovative work in practice research, she is a
  • Shaw, Jeffrey and Peter Weibel, ed. Future Cinema - The Cinematic Imaginary after Film. Cambridge, MASS: The MIT Press, 2003.