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Tomas, David. Beyond the Image Machine: A History of Visual Technologies. London, New York: Continuum, 2004.

Fleischmann, Monika and Jean-Francois Guiton and Mona Schieren. On the development of netzspannung.org In Present Continuous Past(s): Media Art, Strategies of Presentation, Mediation, and Dissemination, edited by Ursula FrohneDOI:

Mikami, Seiko. About and Around the "Molecular Informatics - Morphogenic Substance via Eye Tracking" Continuum In Molecular, Informatics-Morphogenic Substance via Eye Tracking/ LTM (Low-Tech Music), edited by Diputación de MalagaMalaga: Centro

Hill, Leslie and Helen Paris. Guerilla Performance and Multimedia Handbook. London, New York: Continuum, 2001.

Ricardo, Francisco. Literary Art in Digital Performance: Case Studies and Critical Positions. New York City: Continuum Press, 2009.

Funkhouser, C.T.. New Directions in Digital Poetry. International texts in critical media aesthetics. Vol.1. New York: Continuum, 2012.

DOMINGUES, DIANA MARIA G and Suzete VENTURELLI. Cibercomunicação cíbrida no continuum virtualidade aumentada e realidade aumentada ARS 1 (2008): 140.

VELHO, A. P. M. and Diana Domingues and Tiago Lucena and V. D DORNE. Jornalismo etnográfico: um relato de mobilização contra a dengue Rebej 6 (2016): 121-136.

Michelin, Simone. O Centro do Crisol In Redes Sensoriais: Arte, Ciencia e Tecnologia, edited by Katia Maciel and André Parente, 107-120. Rio de Janeiro, Brazil: Editora Contracapa, 2003.

Maciel, Katia; Parente, Andre and Simone Michelin, ed. Redes Sensoriais: Arte, Ciência e Tecnologia. Essay: O Centro do Crisol.. ISBN 85-86011-74-6, Rio de Janeiro: Editora Contracapa, 2003.