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The Aesthetics of Trans Media and the Humanities Across Media Platforms: Philosophy of Trans Media: Transmedia and the Sublime
2018
Event: The Aesthetics of Trans Media and the Humanities Across Media Platforms: Philosophy of Trans Media: Transmedia and the SublimeInstitution: Dongguk University and Cornell UniversityComment:
The Aesthetics of Trans Media and the Humanities Across Media Platforms: Public Artist Screenings and Dialogues
2018
Event: The Aesthetics of Trans Media and the Humanities Across Media Platforms: Public Artist Screenings and DialoguesInstitution: Dongguk University and Cornell UniversityComment:
Cimatics, Brussels International Festival for Live Audiovisual Art & VJing
2003
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2009
Cimatics\AV\Platform is an organisation that focuses on audio-visual performances, with the emphasis on those that have grown out of VJ culture and cyber culture. Most of the projects revolve around the interaction (live or otherwise) between sound
V2_Lab for the Unstable Media
1981
Donna Holford-Lovell
Currently Director of NEoN Digital Arts. NEoN Digital Arts (SCIO) aims to advance the understanding and accessibility of digital and technology-driven art forms and to encourage high quality within the production of this medium. NEoN has organised
PAAL, StefanKAMMÜLLER, ReinerFREISLEBEN, BerndA Cross-Platform Application Environmentfor Nomadic Desktop Computingpublished on netzspannung.org:http://netzspannung.org/about/mars/projects/pdf/awake-2004-7-en.pdf14 March 2005First published: Proc
2004
Paal, Stefan et al. PAAL, Stefan KAMMÜLLER, Reiner FREISLEBEN, Bernd A Cross-Platform Application Environment for Nomadic Desktop Computing published on netzspannung.org: http://netzspannung.org/about/mars/projects/pdf/awake-2004-7-en.pdf 14 March
2018 ACM SIGGRAPH Distinguished Artist Award for Lifetime Achievement in Digital Art for Monika Fleischmann
2018
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2018
The 2018 ACM SIGGRAPH Distinguished Artist Award for Lifetime Achievement in Digital Art is awarded to Monika Fleischmann, a research artist that has contributed to the field of interactive media art since the 1980s to the present day. She has
roots
2005
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2006
roots, 2005-2006 Glasstank, water, ironsulfate, copperwires, platinum, computer, sound system The sculpture works in a cyclic way. Two thirds of the cycle it is active: a crystal object is growing and stretching in space. This can be
Watch Out!
2002
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2002
The World wide Panoptikon increases global exposure. Is Big Watcher b[r]othering us? Should we be afraid of being seen or should we enjoy the World's transparency as a way of proclaiming everyone's difference? In Watch Out!
EUROPEAN MEDIA ART PLATFORM (EMAP)
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