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  • Collins, Susan. Inhabited ConTime. Artists pages Millennium Film Journal (Winter 2003).
  • Deussen, Oliver and Bernd Lintermann. Artificial Plants In Future Cinema. The Cinematic Imaginery After Film, Cambridge, MASS: MIT Press, 2003.
  • Maite Cajaraville combines her artistic career with curator commissions since 1993. She is a media and video artist and AV performer whose creations have been exhibited in festivals and events such as the Venice Biennale, Sónar Festival of Advanced
  • Toni Dove has produced unique and highly imaginative embodied hybrids of film, installation art and experimental theater. In her work, performers and participants interact with an unfolding narrative, using interface technologies such as motion
  • Weibel, Peter. Expanded Cinema Film 11 (1969): 41-47 and 51-52.
  • Strauss, Wolfgang and Monika Fleischmann. Virtuelle Architektur + Imagination film+arc 1 1 (1993).
  • Lozano-Hemmer, Rafael. Re:Positioning Fear, Relational Architecture 3 In Internationale Biennale Film und Architektur, Graz, AUT: 1997.
  • Janet Cardiff was born in Brussels, Ontario in 1957. She began her formal art studies at Queen's University, where she earned her bachelor's degree in 1980. In 1983, she earned a master's degree in Visual Arts from the University of Alberta. During
  • Strauss, Wolfgang and Monika Fleischmann. Virtuelle Architektur und Imagination film+arc 1: Internationales Festival Film+Architektur, Graz (Oct 1993): 172-181.
  • Smith, Greg M.. Film Structure and the Emotion System. Cambridge, UK: Cambridge University Press, 2008.