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  • Michael Naimark is a media artist and researcher who often explores "place representation" and its impact on culture. He has served as faculty in the USC School of Cinematic Arts' Interactive Media Division (2004-09), the NYU Tisch School of the
  • Mari Amman (b. 1984) works globally creating afferent artworks. Images, installations, poetry, performance, sculpture, and artistic research bring forth geological empathy and parietal aspects of perception, sparking inquiry into proposed divides
  • Goldberg, Ken and Ruzena Bajcsy. Active Touch and Robot Perception Cognition and Brain Theory 7, no. 2 (Winter 1984): 199-214.
  • Weibel, Peter. Videotechnik und Filmästhetik, Anmerkungen zur Zukunftsindustrie In Osnabrücker Experimentalfilmworkshop 1984 (Script), edited by Jochen Coldewey, 150-168. Osnabrück, DE: 1984.
  • Ascott, Roy. Behaviour at Table In Architectural Projects and Drawings from the Studio of Aslop, Barnett and Lyall, edited by Will Aslop and Cliff Barnett and John LyallLondon: Architectural Association, 1984.
  • Stanza is an internationally recognised artist, who has been exhibiting worldwide since 1984. His artworks have won prestigious painting prizes and ten first prize art awards including:- Vidalife 6.0 First Prize. SeNef Grand Prix. Videobrasil First
  • Ascott, Roy. Art and Telematics: Towards a Network Consciousness / Kunst und Telematik / L´Art et le télématique In Art + Telecommunication, edited by Heidi Grundmann, 25-67. Vancouver: The Western Front, 1984.
  • Bolt, Richard A.. The Human Interface: Where People and Computers meet. Stamford, Connecticut, US: Wadsworth Publishing Company, 1984.
  • Bordini, Silvia. Storia del Panorama: La visione totale nella pittura del XIX secolo. Collana di architettura; 26, Roma: Officina Ed., 1984.
  • Weibel, Peter. Zur Geschichte und Ästhetik der digitalen Kunst In Supplementband der Ars Electronica 1984, edited by Karl Gerbel, 1-40. Linz: 1984.