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  • Maite Cajaraville combines her artistic career with curator commissions since 1993. She is a media and video artist and AV performer whose creations have been exhibited in festivals and events such as the Venice Biennale, Sónar Festival of Advanced
  • Christopher Hales studied PhD research on Interactive Film Art at the RCA Film and TV Department, and taught as Senior Lecturer at the Faculty of Art of the University of the West of England [Bristol] until 2001. His interactive films and CD-ROMs
  • Deussen, Oliver and Bernd Lintermann. Artificial Plants In Future Cinema. The Cinematic Imaginery After Film, Cambridge, MASS: MIT Press, 2003.
  • Weibel, Peter. Expanded Cinema Film 11 (1969): 41-47 and 51-52.
  • Strauss, Wolfgang and Monika Fleischmann. Virtuelle Architektur + Imagination film+arc 1 1 (1993).
  • Janet Cardiff was born in Brussels, Ontario in 1957. She began her formal art studies at Queen's University, where she earned her bachelor's degree in 1980. In 1983, she earned a master's degree in Visual Arts from the University of Alberta. During
  • Lozano-Hemmer, Rafael. Re:Positioning Fear, Relational Architecture 3 In Internationale Biennale Film und Architektur, Graz, AUT: 1997.
  • Strauss, Wolfgang and Monika Fleischmann. Virtuelle Architektur und Imagination film+arc 1: Internationales Festival Film+Architektur, Graz (Oct 1993): 172-181.
  • Smith, Greg M.. Film Structure and the Emotion System. Cambridge, UK: Cambridge University Press, 2008.
  • Peter d'Agostino is an artist who has been working in video and new media for three decades. His pioneering projects have been exhibited internationally in the form of installations, performances, telecommunications events, and broadcast