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Greimas, Algirdas Julien. Sémantique structurale: Recherche de methode. Paris: Larousse, 1966.

Davies, Char. Natural Artifice In Virtual Seminar on the Bioapparatus, edited by Mary Anne MoserBanff, Canada: The Banff Centre for the Arts, 1991.

Casares, Nilo. El último mono desafía a Darwin In Hecho Artístico y Medios de Comunicación (III Seminario de la AVCA), edited by Asociación Valenciana de Críticos de Arte (AVCA)Vol.1. , 4. Valencia, Spain: Colección Formas Plásticas de la

Beiguelman, Giselle. Arte pós-virtual: criação e agenciamento no tempo da Internet das Coisas e da próxima natureza (Post virtual: art in the Internet of Things age In Cyber-Arte-Cultura: A trama das redes, edited by Fernando PessoaVol.7.

Basanta, Adam. Syntax as Sign: the Use of Ecological Models Within a Semiotic Approach to Electroacoustic Composition Organised Sound 15, no. 2 (August 2010): 125-132.

Susana Pérez Tort. Susana Pérez Tort, “Semiótica de dos obras Multimediales” “Semiótica de dos obras Multimediales” (2010).

Cantoni, Rejane and Priscila Farias. Out of the Body: from where, to where and how edited by Eero Tarasti and Richard LittlefieldImatra, Finland: International Semiotics Institute, Cultural Centre, 2000.

Susana Pérez Tort. Susana Pérez Tort, “Multimedia Semiotics of two works of art” “Multimedia Semiotics of two works of art” (2010).

Lenders, Winfried. Virtuelle Welten als Repräsentation Zeitschrift für Semiotik 18, no. 2-3 (1996): 277-295.

Beiguelman, Giselle. Bricks/Bits.html: Intervenções urbanas 1.0 In Intervenções urbanas. Arte/Cidade, edited by Nelson Brissac PeixotoSão Paulo, Brazil: Senac, 2002.