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Power Plant Contemporary Art Gallery, ed. Press/Enter: Between Seduction and Disbelief. Toronto, CAN: Premier Book Marketing, 1995.

Morley, Andrew. Serious Games Contemporary Visual Arts 15 (1997): 66.

Stocker, Gerfried. Aufbruch In Genesis, edited by O.K. Center for Contemporary Art, 38-40. Linz: 1999.

National Gallery of Canada and Ottawa Canadian Museum of Contemporary Photography, ed. George Legrady - From Analogue to Digital: Photography and Inactive Media. Ottawa, Canada: 1997.

The Abject in Contemporary Photo-Works: Borderline States of Corporeal AffectAuthor: Bullock, Natasha

Jinorio, Orlando Britto and Ery et.al. Camara. A Fiction of Authenticity: Contemporary Africa Abroad. St. Louis, MO: Contemporary Art Museum St. Louis, 2003.

Weintraub, Linda. Art on the Edge and Over: Searching for Art´s Meaning in Contemporary Society, 1970-1990s. New York: Art Insights Inc., 1996.

Groys Boris and Degot Ekaterina and Riff David and Costinas Cosmin. Shockworkers of the Mobile Image - Catalog. Ekaterinburg: 1st Ural Industrial Biennial of Contemporary Art, 2010.

Kisseleva, Olga and Oliver Grau. Theory and Practice of Media Art: Aesthetic Parergons and Perspectives In First Post Industrial Contemporary Art Biennale, edited by NCCAEkaterinburg: NCCA, 2010.

Nelkin, Dorothy and Suzanne Anker. The influence of genetics on contemporary art Nature Reviews 3 (December 2002): 967-971.