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Modeling Complexity for Interactive
Art
Works on the Internet
2003
...erer, Christa and Laurent Mignonneau. Modeling Complexity for Interactive
Art
Works on the Internet In
Art
and Complexity: At the Interface, ...
The Information Environment
2015
Cubitt, Sean. The Information Environment In Ubiquitous Computing, Complexity, and Culture, edited by Ulrik Ekman and Lily Diaz and Morten SondergaardNew York: Routledge, 2015.
Education and complexity in
art
, science and technology: new Leonardos in Brazil
2009
...UES, DIANA MARIA G and Eliseo Berni REATEGUI. Education and complexity in
art
, science and technology: new Leonardos in Brazil Nyssa 1 (2009):...
Del cálculo numérico a la creatividad abierta: el Centro de Cálculo de la Universidad de Madrid, 1965-1982
2012
Aramis López, Juan. Del cálculo numérico a la creatividad abierta: el Centro de Cálculo de la Universidad de Madrid, 1965-1982. Madrid, Spain: Universidad Complutense de Madrid, 2012.
Rudiments Mapping - An Axiomatic Approach to Music Composition
2003
Hsin Hsin, Lin. Rudiments Mapping - An Axiomatic Approach to Music Composition .
Syntax as Sign: the Use of Ecological Models Within a Semiotic Approach to Electroacoustic Composition
2010
Basanta, Adam. Syntax as Sign: the Use of Ecological Models Within a Semiotic Approach to Electroacoustic Composition Organised Sound 15, no. 2 (August 2010): 125-132.
Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance
2008
Chris Salter. Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance In CMMR Post Symposium Proceedings, Springer LNCS Series, : 2008.
Mashup
art
e crawler
art
: o sublime tecnológico do lixo remixado
2009
...DOMINGUES, DIANA MARIA G. Mashup
art
e crawler
art
: o sublime tecnológico do lixo remixado In Digital Trash: Linguagens, Comportamentos,...
Potentialities of Meaning: a performance study perspective investigation into the relationship between the composer, composition and audience in contemporary fixed medium sound
art
2009
... composition and audience in contemporary fixed medium sound
art
inter/tidal ii: SFU Humanities Student Union Academic Journal ...
Embodied Sound, Enacted Music: Considerations for the Re-conceptualization of Composition, Analysis and Performance
2010
Basanta, Adam. Embodied Sound, Enacted Music: Considerations for the Re-conceptualization of Composition, Analysis and Performance In Ncounters, Graduate Music Students Association Conference, University of Alberta: 2010.
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