Archive Search

  • Benjamin, Walter. Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit. In Gesammelte Schriften, Band I, Werkausgabe Band 2, edited by Rolf Tiedemann and Hermann Schweppenhäuser, 431-469. Frankfurt am Main: Suhrkamp, 1980.
  • Foucault, Michel. Surveiller et punir. Naissance de la prison. Bibliothèque des histories Collection Tel Band 225, Paris: Gallimard, 1975.
  • Bense, Max and Elisabeth Walther, ed. Einige Mathematische Elemente der Kunst. Band 37, Stuttgart: Edition Rot, text 37, 1968.
  • Zaunschirm, Thomas. Im Zoo der Kunst II, Die KünstlerInnen und ihre Tiere. Vol.Band 175, S. 96. Im Zoo der Kunst II, 2005 th ed.Cologne, Germany: KUNSTFORUM International, 2005.
  • ...calling attention to the beauty of life and the necessity for enlightened thinking about nature’s ‘tangled bank’.
  • The November 1973 issue of Scientific American featured an article titled “The Recognition of Faces” by Bell Labs researcher Leon Harmon that explained how we perceive pixelated digital photographic images. Using a low-resolution, portrait of
  • ADA Artist Interview with Suzanne AnkerArchive of Digital Art, September 2021Full text and interview by Carla Zamora on ADA:https://www.digitalartarchive.at/features/featured-artists/featured-artist-suzanne-anker.htmlYou are considered being a
  • Frieling, Rudolf and Andreas Broeckmann, ed. Bandbreite - Medien zwischen Kunst und Politik. Berlin: Kulturverlag Kadmos, 2004.
  • No Soul for Sale: A Festival of Independents Z.A.K For No Soul For Sale 2010 Friday 14 May 2010, 10.00–00.00 Saturday 15 May 2010, 10.00–00.00 Sunday 16 May 2010, 10.00–18.00 To celebrate Tate Modern's 10th anniversary, the gallery will host
  • an Ascent
    https://din7d.bandcamp.com/album/an-ascent