Archive Search

  • In To Be Is To Get Cut, I consider the sociopolitical structures and behaviors that are otherwise hard to realize from inside the microcosm of society. To do that, I use digital media. That allows me to create a self-sustained ecosystem that exists
  • Wissensgewächs interactive facade with 16 screens reacting to passerby’s positions, distance and movements © 2007, Laurent Mignonneau & Christa Sommerer This interactive façade was designed by Mignonneau and Sommerer for the City of Science in
  • ... Past (the ground) to the alive limbs...
  • Deussen, Oliver and Bernd Lintermann. Artificial Plants In Future Cinema. The Cinematic Imaginery After Film, Cambridge, MASS: MIT Press, 2003.
  • Given
    ... video-sound installations or...
  • The Japanese female artist Sachiko Kodama was born in 1970. As a child she spent a lot of time in the southernmost part of Japan. This area is rich in tropical flowers and plants, edged by the sea, and washed with warm rain. Sachiko loved art and
  • Deussen, Oliver and Bernd Lintermann. A Modelling Method and Interface for Creating Plants Computer Graphics Forum 17, no. 1 (March 1998): 73-82.
  • Frauenfelder, Mark. The Interactive Life of Plants Wired Magazine (July 1994).
  • Lintermann, Bernd and Oliver Deussen. Interactive Structural and Geometrical Modeling of Plants IEEE Computer Graphics and Applications 19, no. 1 (Jan/Feb 1999): 2-11.
  • Bismarck, Julius von. Animals Are Dumb and Plants Even Dumber. Bielefeld: Kerber, 2016.