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  • The Imaginary Hotel -
    Event: The Imaginary HotelInstitution: The Chapman GalleryComment:
  • Virtual Environment Display System
    Fisher, Scott S. and M. McGreevy and J. Humphries and Robinett, W.. Virtual Environment Display System In ACM Workshop on 3D Interactive Graphics, Chapel Hill, North Carolina, October 23-24, Chapel Hill: 1986.
  • Janet Cardiff: Forty-Part Motet -
    The elegant 19th-century interior of the Rideau Chapel is once again transformed through Janet Cardiff’s extraordinary audio installation Forty-Part Motet, a contemporary reworking of Spem in Alium by the 16th-century composer Thomas Tallis.
  • Mémoires Astrales d'un Homme Volant/Astral Memories of a Flying Man, 72 p. French/English
    Dominique Radrizzani and Ursula Perucchi and Danielle Chaperon and Angelika Affentranger and Alexander Hahn. Mémoires Astrales d'un Homme Volant/Astral Memories of a Flying Man, 72 p. French/English. Vevey/Switzerland: Musée Jenisch, 2002.
  • Confessions -
    Confessions est l'aboutissement d'un projet engagé depuis plusieurs années par le metteur en scène d'origine australienne William Kentridge et l'auteur Jane Taylor autour du roman d'Italo Zvevo, La Conscience de Zeno. Un opéra singulier ou se mêlent
  • The Chapman Gallery
  • The Watch Detail - video
    The first major interactive work was entitled The Watch Detail (1990). Video images, sound and text that addressed the subject of time were explored interactively. This work employed Macintosh Hypercard media, that was used to control an interactive
  • Victor Acevedo
    Victor Acevedo is an artist best known for his digital work involving printmaking and video. Since 2007 his primary focus has been working with video and producing (electronic) visual music works. As an ongoing practice, Acevedo issues images as
  • eConsciousness
    Marta de Menezes. eConsciousness eConsciousness conference catalogue chapter, Central House of Artists. (2013).
  • Pat Badani
    Pat Badani (b. Argentina) draws from the fields of media art, science, and technology to explore the intersectionality of environmental and social issues. She often uses 'food' to create artistic arguments that blend aesthetics and criticism,
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