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off-sense 2006
2006
-
2006
The physical
spa
ce of the gallery becomes entangled with the navigable
spa
ce of the virtual environment in Off-sense. This sprawling in
sta
llation of computer hardware provide
s a
ccess to a virtual world, where avatars float, roam and communicate
Semantic Map
2001
-
2004
SEMANTIC MAP - A RADAR FOR THE DATA COSMOS (2001/04) The Semantic Map presents individual document
s a
s nodes in a network of theme
s a
nd practices. By differentiating and becoming co-producers of meaning, viewers can actively engage with content and
homes | Photography and New Media Art (Homes | version 2), ehibition at Lumenvisum Gallery, Hong Kong
2015
-
2015
Tamas Waliczky | Homes Photography and New Media Art The exhibition through the means of photography and new media, presents the living
spa
ce of the fishing village Tai O, with
sna
pshots produced both with traditional technique
s a
nd with virtual
Mirrors of the Unseen (MotU) #4, #5, #6
2016
-
2016
Light objects Series 'Mirrors of the Unseen (MotU)' The term "to see" is often used in common speech synonymously with "to under
sta
nd" or "to grasp". The phrase ,"If I'm seeing this correctly," is used to signify under
sta
nding in consensus with
Park View Hotel
2007
-
2007
Park View Hotel stretches between the Cesar Chavez plaza in downtown San Jose and the neighbouring Fairmont Hotel. Using specially-built pointing devices, audiences in the park can access interior hotel
spa
ces, by "pinging" them optically. Once
Paul Garrin
Paul Garrin began working with video while studying fine art
s a
t the Cooper Union School of Art in New York. His works over the past 20 years encompas
s a
full spectrum of analog and digital media from video to the Internet, exploring media and the
Imaginary Skyrmions
2023
#1 Vortex #2 Torus #3 Skyrmion Lattice #4 Skyrmion Collapse #5 Cross (B=16 Skyrmion) #6 Spiral (cross-section of horizontal vortex) kinetic light objects (series of 6) plexiglass, LED reflectors, turntables variable dimensions, diameter: 60 cm,
Memopol-II
2011
Memopol-2 i
s a
social machine that maps the visitor’s information field. When an identification document such a
s a
national ID card or a passport is inserted into it, the machine
sta
rts collecting information about the visitor from (inter)national
Clive Gillman
Currently the Director of Dundee Contemporary Arts, Scotland’s largest contemporary art
s a
nd media centre, I lead a large
sta
ff team and a critically acclaimed programme of contemporary art, cinema, re
sea
rch and production & education activity.
Lauren Lee McCarthy
Lauren Lee McCarthy (she/they) i
s a
n artist examining social relationships in the midst of surveillance, automation, and algorithmic living. She i
s a
2021 United
Sta
te
s A
rtist Fellow, 2020 Sundance New Frontier Story Lab Fellow, 2020 Eyebeam Rapid
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