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  • Hales, Chris. New Paradigms = New Movies, Interactive Film and New Narrative Interfaces In New Screen Media: Cinema/Art/Narrative, edited by Martin Rieser and Andrea ZappKarlsruhe: ZKM and BFI London, 2002.
  • David R. Burns takes an interdisciplinary approach to creating digital media art by combining 3D computer modeling and animation, digital video, sound design, and physical computing to push the boundaries of artistic expression. His creative work
  • Critical Art Ensemble (CAE) is a collective of five tactical media practitioners of various specializations including computer graphics and web design, film/video, photography, text art, book art, and performance. Formed in 1987, CAE's focus has
  • McCleave, Leslie. Film Medium: Zoe Beloff´s Uncanny Resurrections Res Magazine 5, no. 3 (2002).
  • Sommerer, Christa and Laurent Mignonneau. Interactive Plant Growing In Lab 5: International Film, Video and Computer Art Exhibition 1995, edited by Ryszard KluszczynskiWarsaw: 1995.
  • Zapp, Andrea. In Search for the Cyber Heroes In Short Film Festival Oberhausen, Festival Catalogue, , 56-58. Oberhausen, DE: 1997.
  • Collins, Susan. Inhabited ConTime. Artists pages Millennium Film Journal (Winter 2003).
  • Deussen, Oliver and Bernd Lintermann. Artificial Plants In Future Cinema. The Cinematic Imaginery After Film, Cambridge, MASS: MIT Press, 2003.
  • Maite Cajaraville combines her artistic career with curator commissions since 1993. She is a media and video artist and AV performer whose creations have been exhibited in festivals and events such as the Venice Biennale, Sónar Festival of Advanced
  • Toni Dove has produced unique and highly imaginative embodied hybrids of film, installation art and experimental theater. In her work, performers and participants interact with an unfolding narrative, using interface technologies such as motion