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Annabel Castro
Artist/academic. She studied an MsC in information technology applied to arts at Chalmers University of Technology and a PhD in Digital arts and experimental media at University of Washington. She has published articles in journals such as Artnodes,
Virtual Borders and Surveillance in the Digital Age
2007
Burns, David R.. Virtual Borders and Surveillance in the Digital Age International Journal of Media and Cultural Politics 3, no. 3 (2007): 325-341.
Laura Dekker
Laura Dekker’s research-based art practice considers the reciprocal roles of technologies in how we experience, make sense of, cope with, and construct ourselves and our world. She explores these ideas through interactive installations, combining
Alexandra Dementieva
Lives and works in Brussels The idea of interaction between the viewer and an artwork, mediated by technologically progressive visualization methods, lies at the core of her work. In her installations she uses various art forms on an equal basis:
Routes towards British Computer Arts: The Role of Cultural Institutions, Bulletin of the Computer Arts Society
2004
Mason, Catherine. Routes towards British Computer Arts: The Role of Cultural Institutions, Bulletin of the Computer Arts Society Page 57 (Summer 2004).
Bastard Culture! How User Participation Transforms Cultural Production
2011
Schäfer, Mirko Tobias. Bastard Culture! How User Participation Transforms Cultural Production. Amsterdam: Amsterdam University Press, 2011.
Elisabeth Diller
Attended the Cooper Union School of Art and BA in Architecture in 1979. She then taught at the Cooper Union and has been Associate Professor of Architecture at Princeton, NJ, since 1990. The firm of Diller + Scofidio was formed in 1979. Elizabeth
Marco Donnarumma
Italian-born Marco Donnarumma is a performer, musician and writer based in London. He explores the dimensions of the human body in relation to real, virtual and cultural spaces through performances, concerts and installations. In his works, sound,
[ epidemiC]
[epidemiC] is a network of people working in sectors as diverse as art, computer science, anthropology, communication, history, and economy. [epidemiC] explores the phenomena arising from the intrusion of computer science's cultural behaviors into
Franz Fischnaller
Franz Fischnaller was the co-founder of F.A.B.R.I.CATORS and is now the art and production Director. He is a Professor at the Università degli Studi di Firenze (University of Florence, Italy), and teaches art and multimedia on the Master of
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