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  • Between punched film and the first computers, the work of Konrad Zuse.
    Andres Burbano and Paul Thomas. Between punched film and the first computers, the work of Konrad Zuse. In Relive : Media Art Histories, edited by Sean CubittCambridge, Mass.: MIT Press, 2013.
  • Audiovisionaries of the Network Planet
    Cubitt, Sean. Audiovisionaries of the Network Planet In Globalization and contemporary art, edited by Jonathan Harris, 225-236. Malden, Mass.: Wiley-Blackwell, 2011.
  • Ecomedia
    Cubitt, Sean. Ecomedia. Contemporary cinema series, Amsterdam: Rodopi, 2005.
  • The Information Environment
    Cubitt, Sean. The Information Environment In Ubiquitous Computing, Complexity, and Culture, edited by Ulrik Ekman and Lily Diaz and Morten SondergaardNew York: Routledge, 2015.
  • Data Visualisation and the Subject of Political Aesthetics
    Cubitt, Sean. Data Visualisation and the Subject of Political Aesthetics In postdigital aethetics, edited by David Berry and Michael DieterLondon: Palgrave Macmillan, 2015.
  • Toxic Media: On the Ecological Impact of Cinema
    Cubitt, Sean. Toxic Media: On the Ecological Impact of Cinema In Eco-Trauma Cinema, edited by Anil Narine, 231-48. New York: Routledge, 2014.
  • Utopia
    Cubitt, Sean. Utopia In The Encyclopedia of Aesthetics, edited by Michael KellyOxford: Oxford University Press, 2014.
  • Telecommunication Networks: Economy, Ecology, Rule
    Cubitt, Sean. Telecommunication Networks: Economy, Ecology, Rule Theory, Culture and Society 31, no. 7/8 (2014): 185-199.
  • Avatar and Utopia
    Cubitt, Sean. Avatar and Utopia Animation 7, no. 3 (2012): 1-11.
  • The Shadow
    Cubitt, Sean. The Shadow MIRAJ Moving Image Research and Art Journal 2, no. 2 (2013): 187-197.
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