Archive Search

  • ... Award in the Interactive Art category in 1998. Armed with cameras, we are making our way through a three-dimensional space. The landscape before our eyes is scarred by war-demolished buildings, armed men, tanks and artillery, piles of rubble, the...
  • The Magic Flute -
    ... He also elaborates on the idea of the 'chambre noir": "If we were in the belly of the camera, the empty stage is the working space for the optics of the camera…where the three-dimensional world is recreated on a smaller scale, in a flattened form. The...
  • .. his artistic development between research in the humanities, multi-sensory engineering and collaborative practice in the fields of digital art and theatre ..
  • ... technologies of various profiles) and (re)habilitation (interventions based on creating idiosyncratic interactive personal space, from the same bespoke sensors, where gesture control of content motivates participation via creative expression and playful...
  • This essay by former research assistant Isabella Iska at the Center for Image Science, is a tribute to the artist, scholar, professor and permanent driven inventor Charles Csuri (1922-2022), who began creating digital artworks in the 1960s. Today
  • ... at the Art Gallery of NSW, Sydney. Technical installation of other major exhibitions including Kaboom (1994) and Sound in Space (1995) both at the MCA, Sydney. I provided Technical Producer support for a number of video productions at the Paddington Video...
  • ... images generated from computers were linked and developed in various ways. From the feedback produced, a radically new space of musicality-visuality was created. In addition, the performance was transmitted over the Internet and relayed world-wide....
  • ... all biological inteferences as changes in the entropy of the artistic set. Artistic sets, I define, are enviromental time-space events that have a precise starting amount of entropy without a known conclusion. The purpose of an action in the arts has to be...
  • ...s vu l’intelligence tout d’abord intégrée dans des unités de contrôle centralisées sur le modèle du Hal (St. Kubrick, 2001, a Space Odyssey), puis se sont développés les Smarts Objects (S.O.) à l’intelligence embarquée. Ces derniers communiquent via le réseau et sont...
  • ... of new modes of perception and the interplay of body andspace in the context of art and technology as a thinking space.Wolfgang Strauss and Monika Fleischmann at the 2017 Edition F Women Inventors'Award (photo credits: Mark Feigman)...