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Timo Kahlen
Sound sculptor and media artist Timo Kahlen (*1966) chooses to work with the ephemeral: with wind and steam, with light and shade, with pixels and dust, with sound, noise and vibration. His work has been shortlisted for various renowned
Virtuelle Räume im Reich der Sinne
1993
Shaw, Jeffrey. Virtuelle Räume im Reich der Sinne In Kultur und Technik im 21. Jahrhundert, edited by Gert Kaiser and Dirk Matejovski and Jutta Fedrowitz, 329-334. Frankfurt, New York: Campus Verlag GmBH, 1993.
Critical Art Ensemble
Critical Art Ensemble (CAE) is a collective of five tactical media practitioners of various specializations including computer graphics and web design, film/video, photography, text art, book art, and performance. Formed in 1987, CAE's focus has
[ epidemiC]
[epidemiC] is a network of people working in sectors as diverse as art, computer science, anthropology, communication, history, and economy. [epidemiC] explores the phenomena arising from the intrusion of computer science's cultural behaviors into
Hegedus
Agnes Hegedüs, born in Budapest in 1964 studied Photography and Video Art at the Budapest Academy of Applied Arts, followed by the Minerva Academy, Groningen, the Kunstakademie Enschede and the Institute of New Media, Städelschule, Frankfurt/Main.
Auf dem Weg zu einer neuen Mediensprache / On the Way to a New Media Language
1993
Zapp, Andrea. Auf dem Weg zu einer neuen Mediensprache / On the Way to a New Media Language In Computer Art Faszination, edited by Gerhard Dotzler, 236. Frankfurt/Main: Dr. Dotzler Medien Institut, 1993.
Theorie des Films: Die Errettung der Äußeren Wirklichkeit
1985
Kracauer, Siegfried. Theorie des Films: Die Errettung der Äußeren Wirklichkeit. Frankfurt/Main: Suhrkamp-Taschenbuch Wissenschaft, 1985.
Thorsten Fleisch
After highschool and community service in an institution for the mentally ill he went to Marburg to study art, music and media at Phillips Universität. One year later he changed to the Städelschule in Frankfurt in order to study film with Peter
Ryoji Ikeda
Japan's leading electronic composer Ryoji Ikeda focuses on the minutiae of ultrasonics, frequencies and the essential characteristics of sound itself. His work exploits sound's physical property, its causality with human perception and mathematical
Die Unsichtbarkeit der Welt. Eine visuelle Kritik neuzeitlicher Ontologie
1997
Pape, Helmut. Die Unsichtbarkeit der Welt. Eine visuelle Kritik neuzeitlicher Ontologie. Frankfurt/Main: Suhrkamp, 1997.
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