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  • Public Meteorit Watching Event Date: Nov. 16th 2010, starting at 6:30pm expected impact time: 20:33pm Location: meadows behind Kauwstraat 10, 9500 Herzele, Sint Lievens Esse, Belgium Herzele is about 40 km from Brussels and a rather small
  • David R. Burns takes an interdisciplinary approach to creating digital media art by combining 3D computer modeling and animation, digital video, sound design, and physical computing to push the boundaries of artistic expression. His creative work
  • Char Davies is internationally recognized for pioneering artworks using the technologies of virtual reality. Originally a painter, she transitioned to digital media in the late-80s, becoming a founding director of the 3-D software company Softimage.
  • Fleischmann, Monika. Jetztzeit: Now In Interaktiv: Im Labyrinth der Wirklichkeiten: Über Multimedia, Kindheit und Bildung; über reale und virtuelle Interaktion und Welten, edited by Wolfgang Zacharias and Kulturpolit. Gesellschaft BonnBonn, Essen:
  • Coy, Wolfgang. (Inter-)actio=Reactio? In Interaktiv - Im Labyrinth der Wirklichkeiten, edited by Wolfgang ZachariasBonn/ Essen: Kulturpolitische Gesellschaft / Klartext Verlag, 1996.
  • This media art fair is hardly commercial. It is hosted by the Folkwang University of the Arts at Zollverein in Essen.
  • Zacharias, Wolfgang, ed. Interaktiv – Das Labyrinth der Wirklichkeiten. Vol.1. ISBN 3-88174-198-4, Edition Umbruch. th ed.Essen: Klartext Verlag, 1996.
  • María Fernández is Associate Professor in the Department of History of Art and Visual Studies at Cornell University and currently serves as Director of Graduate Studies. She received her doctorate in art history from Columbia University in 1993. Her
  • Huhtamo, Erkki. From Cybernation to Interaction: A Contribution to an Archaeology of Interactivity In The Digital Dialectic: New Essays on New Media, edited by Peter Lunenfeld, 96-110. Cambridge, MA: MIT Press, 1999.
  • Through video essays and photography, the exhibition MASCHINENSEHEN [MACHINEVISION] documents the practice of picture production: its devices and technologies, the laboratories, as well as the sites where the new processes are applied. In addition,